This volume attempts to show that it is vital that we address the motif of the 'end' in contemporary world – but that this cannot be done without thinking it anew.
This volume attempts to show that it is vital that we address the motif of the 'end' in contemporary world – but that this cannot be done without thinking it anew.
Marcia Sa Cavalcante Schuback is Professor of Philosophy at Sodertorn University, Sweden. She has published widely in both English and Portuguese, including the Portuguese translation of Heidegger's Being and Time. Susanna Lindberg is a Core Fellow at the Collegium for Advanced Studies of the University of Helsinki. She is co-editor of Europe Beyond Universalism and Particularism (2014) and the author of several books in French.
Inhaltsangabe
1. Introduction Marcia Sá Cavalcante Schuback and Susanna Lindberg Part I: The Ends in the World 2.Technologies of the End of the World Susanna Lindberg 3. A Conversation on the End of the World Achille Mbembe and Marcia Sá Cavalcante Schuback Part II: Philosophizing the End of the World 4.Kant and the End of All Things Sven-Olov Wallenstein 5. Hegel: the end of history is not the end of the world Susanna Lindberg 6. End and or Beginning: The World as One-Time Event in Heidegger and Dogen Krzystof Ziarek 7.Putting an End. Derrida and the Death Penalty Laura Odello Part III: After the end of the world 8. The End of the World after the End of Finitude:On a Recently Prominent Speculative Tone in Philosophy Jussi Backman 9. Expansion of the end. On Friedrich Hölderlin¿s Geo-poetics Esa Kirkkopelto 10.Fragments of a Place called the End of the World Dan Karlholm Part IV: Thinking from the end 11.The Energy of the End Michael Marder 12. Every Day, the End of the World Marcia Sá Cavalcante Schuback Part V: Images and words of the end 13. The Ends of the World in Lars von Trier's 'Melancholia' Martta Heikkilä 14. Coming to the End (Günther Anders, Maurice Blanchot) Gisèle Berkman 15. The Language of the End and the Language of the World in the Poem of the End by Marina Tsvetaeva Tora Lane 16. After the End of the World, Panorama Irina Sandomirskaja 17. Viktor Pelevin's Postmodern Apocalypsis Artemy Magun 18. Immersion: Harmony, Variety and Fragmentation Sean Gaston Index
1. Introduction Marcia Sá Cavalcante Schuback and Susanna Lindberg Part I: The Ends in the World 2.Technologies of the End of the World Susanna Lindberg 3. A Conversation on the End of the World Achille Mbembe and Marcia Sá Cavalcante Schuback Part II: Philosophizing the End of the World 4.Kant and the End of All Things Sven-Olov Wallenstein 5. Hegel: the end of history is not the end of the world Susanna Lindberg 6. End and or Beginning: The World as One-Time Event in Heidegger and Dogen Krzystof Ziarek 7.Putting an End. Derrida and the Death Penalty Laura Odello Part III: After the end of the world 8. The End of the World after the End of Finitude:On a Recently Prominent Speculative Tone in Philosophy Jussi Backman 9. Expansion of the end. On Friedrich Hölderlin¿s Geo-poetics Esa Kirkkopelto 10.Fragments of a Place called the End of the World Dan Karlholm Part IV: Thinking from the end 11.The Energy of the End Michael Marder 12. Every Day, the End of the World Marcia Sá Cavalcante Schuback Part V: Images and words of the end 13. The Ends of the World in Lars von Trier's 'Melancholia' Martta Heikkilä 14. Coming to the End (Günther Anders, Maurice Blanchot) Gisèle Berkman 15. The Language of the End and the Language of the World in the Poem of the End by Marina Tsvetaeva Tora Lane 16. After the End of the World, Panorama Irina Sandomirskaja 17. Viktor Pelevin's Postmodern Apocalypsis Artemy Magun 18. Immersion: Harmony, Variety and Fragmentation Sean Gaston Index
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