This book invites students to consider adaptations on their own terms and to engage with the questions they raise about literary canons; the media industry; the relations between media; national, political, and cultural identities; and the ways in which contemporary media has complicated the roles of producers and consumers of texts.
This book invites students to consider adaptations on their own terms and to engage with the questions they raise about literary canons; the media industry; the relations between media; national, political, and cultural identities; and the ways in which contemporary media has complicated the roles of producers and consumers of texts.
Thomas Leitch holds the Unidel Andrew B. Kirkpatrick, Jr. Chair in Writing at the University of Delaware, USA. His most recent publications include The Scandal of Adaptation (2023) and The History of American Literature on Film (2019).
Inhaltsangabe
Acknowledgments Introduction 1. Aesthetic Engagements: Adaptation as Copy 2. Intertextual Engagements: Adaptation as Process 3. Industrial Engagements: Adaptation as Product 4. Biological Engagements: Adaptation as Evolution 5. Sociological Engagements: Adaptation as Border Crossing 6. Participatory Engagements: Adaptation as Play Index
Acknowledgments Introduction 1. Aesthetic Engagements: Adaptation as Copy 2. Intertextual Engagements: Adaptation as Process 3. Industrial Engagements: Adaptation as Product 4. Biological Engagements: Adaptation as Evolution 5. Sociological Engagements: Adaptation as Border Crossing 6. Participatory Engagements: Adaptation as Play Index
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