A comprehensive examination of the origins of Vancouver photo-conceptualism. The book employs discourse analysis, feminist critique and settler-colonial theory to analyse the landscapes of Jeff Wall, Ian Wallace, Marian Penner Bancroft, Liz Magor and others. -- .
A comprehensive examination of the origins of Vancouver photo-conceptualism. The book employs discourse analysis, feminist critique and settler-colonial theory to analyse the landscapes of Jeff Wall, Ian Wallace, Marian Penner Bancroft, Liz Magor and others. -- .
Leah Modigliani is Associate Professor of Visual Studies at Tyler School of Art and Architecture at Temple University
Inhaltsangabe
Introduction 1 Jeff Wall's Picture for Women (1979) and The Destroyed Room (1978): colonizing the space of gendered discourse 2 Emily Carr and the legacy of Commonwealth modernism 3 Myth and the 'home culture concept' 4 Establishing the theory and practice of a defeatured landscape 5 1970s and the gendered spaces of the counter tradition 6 Feminist theoretical and visual challenges to modernist representation Conclusion Index
Introduction 1 Jeff Wall's Picture for Women (1979) and The Destroyed Room (1978): colonizing the space of gendered discourse 2 Emily Carr and the legacy of Commonwealth modernism 3 Myth and the 'home culture concept' 4 Establishing the theory and practice of a defeatured landscape 5 1970s and the gendered spaces of the counter tradition 6 Feminist theoretical and visual challenges to modernist representation Conclusion Index
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