Engendering the Stage in the Age of Shakespeare and Beyond steps beyond the myth of the all-male stage, centring feminist, queer, and trans scholars and artists to reveal the deeper complexities of gendered performance on stage today and within the records of theatre history.
Engendering the Stage in the Age of Shakespeare and Beyond steps beyond the myth of the all-male stage, centring feminist, queer, and trans scholars and artists to reveal the deeper complexities of gendered performance on stage today and within the records of theatre history.
Peter Cockett is an associate professor of integrated arts at McMaster University. Melinda Gough is a professor of English and cultural studies at McMaster University.
Inhaltsangabe
List of Illustrations Acknowledgments Abbreviations Part 1: Setting the Stage Introduction Peter Cockett and Melinda J. Gough 1. The Meeting of Art and Academia Keira Loughran Part 2: Beyond the Globe 2. Architectures of Gender E.M. Parry with Peter Cockett and Melinda Gough 3. We Exist When We Tell Our Stories Carmen Alvis Part 3: Energies, Evidence, Emergent Practices 4. Potential Energies in the Early Modern French Repertoire Ellen Welch 5. The PaRchive: Archiving Process in Practice-as-Research and the Work of Theatre History Callan Davies 6. A Note to Mary Frith SL Grange Part 4: Skill, Power, and Swordplay 7. Drawing Your Weapon Peter Cockett and Melinda J. Gough with Cole Alvis, Emma Frankland, Lily McEvenue, and Denise Oucharek 8. Casting The Roaring Girl: Embodied Skill, History, and Lived Experience Clare McManus Part 5: Stepping Beyond Binaries 9. "Mincing Steps" and "Manly Strides": Practicing Gendered Footwork on the Early Modern Stage Natasha Korda 10. Performing Gender "From the Ground Up" Peter Cockett and Melinda J. Gough with Emma Frankland, Lily McEvenue, André Morin, Marcus Nance, and Denise Oucharek 11. Two Shadows to One Shape E.M. Parry with Peter Cockett and Melinda J. Gough Part 6: Disruptive Boys 12. Boi-Actrx E.M. Parry with Peter Cockett and Melinda J. Gough 13. A Question to Be Asked: Boy Actors, Performance as Research, and Theatre History Roberta Barker and Lucy Munro Part 7: Rehearsing, Teaching, Translating 14. Calling across from Our Difference: Teaching (Gender) Nonconforming Characters in Early Modern English Drama Jessica Swain 15. Rehearsing The Lieutenant Nun: Translation in Action Edward McLean Test Part 8: Dreaming PaR Futures 16. To Degender is to Decolonize Madeleine Krusto and Kitoko Mai (Non)Conclusions Peter Cockett and Melinda J. Gough Bibliography Contributors Index
List of Illustrations Acknowledgments Abbreviations Part 1: Setting the Stage Introduction Peter Cockett and Melinda J. Gough 1. The Meeting of Art and Academia Keira Loughran Part 2: Beyond the Globe 2. Architectures of Gender E.M. Parry with Peter Cockett and Melinda Gough 3. We Exist When We Tell Our Stories Carmen Alvis Part 3: Energies, Evidence, Emergent Practices 4. Potential Energies in the Early Modern French Repertoire Ellen Welch 5. The PaRchive: Archiving Process in Practice-as-Research and the Work of Theatre History Callan Davies 6. A Note to Mary Frith SL Grange Part 4: Skill, Power, and Swordplay 7. Drawing Your Weapon Peter Cockett and Melinda J. Gough with Cole Alvis, Emma Frankland, Lily McEvenue, and Denise Oucharek 8. Casting The Roaring Girl: Embodied Skill, History, and Lived Experience Clare McManus Part 5: Stepping Beyond Binaries 9. "Mincing Steps" and "Manly Strides": Practicing Gendered Footwork on the Early Modern Stage Natasha Korda 10. Performing Gender "From the Ground Up" Peter Cockett and Melinda J. Gough with Emma Frankland, Lily McEvenue, André Morin, Marcus Nance, and Denise Oucharek 11. Two Shadows to One Shape E.M. Parry with Peter Cockett and Melinda J. Gough Part 6: Disruptive Boys 12. Boi-Actrx E.M. Parry with Peter Cockett and Melinda J. Gough 13. A Question to Be Asked: Boy Actors, Performance as Research, and Theatre History Roberta Barker and Lucy Munro Part 7: Rehearsing, Teaching, Translating 14. Calling across from Our Difference: Teaching (Gender) Nonconforming Characters in Early Modern English Drama Jessica Swain 15. Rehearsing The Lieutenant Nun: Translation in Action Edward McLean Test Part 8: Dreaming PaR Futures 16. To Degender is to Decolonize Madeleine Krusto and Kitoko Mai (Non)Conclusions Peter Cockett and Melinda J. Gough Bibliography Contributors Index
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