Giorgia AlÙ teaches in the Department of Italian Studies at the University of Sydney. Nancy Pedri is an associate professor in the Department of English at Memorial University.
Inhaltsangabe
Photo-Literary Encounters in Italy (Giorgia AlÙ and Nancy Pedri) Part One: The Lure of Photography 1. Spectres of Photography: Photography, Literature, and the Social Sciences in Fin-de-SiÈcle Italy (Maria Grazia Lolla) 2. Authoring Images: Italo Calvino, Gianni Celati, and Photography as Literary Art (Pasquale Verdicchio) 3. Fossati’s and Messori’s Vision of Landscape in Viaggio in un paesaggio terrestre (Marina Spunta) Part Two: Photography Structuring Narrative 4. The Fiction of Photography: Vittorio Imbriani’s Merope IV – Sogni e fantasie di Quattr’Asterischi (1867) (Sarah A. Carey) 5. Narrated Photographs and the Collapse of Time and Space in Erri De Luca’s Non ora, non qui (Nancy Pedri) Part Three: Narrated Photographs and Photographs Narrating 6. Photo-Poems: Visual Impact Strategies and Photo-Story in the Work of Mario Giacomelli and Luigi Crocenzi (Marco Andreani) 7. What the Writer Saw (and the Camera Didn’t): Antonio Tabucchi’s Notturno indiano and Daniele Del Giudice’s Lo stadio di Wimbledon (Donata Panizza) 8. Photographs Illustrating and Photographs Telling: Exercises in Reading Lalla Romano and Elio Vittorini (Epifanio Ajello) Part Four: Through the Lens 9. Narrative Scopophilia as Seen through the Lens of a Photographic Camera: Intersemiotic Translation and Voyeurism in L’uomo che guarda (1985) (Mariarita Martino) 10. Photography into the Limelight: Andrea De Carlo’s Treno di panna (Sarah Patricia Hill) 11. Looking through Coloured Shards: Words and Images in Ornela Vorpsi’s Works (Giorgia AlÙ) Writing with Light: Concluding Remarks (Giorgia AlÙ And Nancy Pedri)
Photo-Literary Encounters in Italy (Giorgia AlÙ and Nancy Pedri) Part One: The Lure of Photography 1. Spectres of Photography: Photography, Literature, and the Social Sciences in Fin-de-SiÈcle Italy (Maria Grazia Lolla) 2. Authoring Images: Italo Calvino, Gianni Celati, and Photography as Literary Art (Pasquale Verdicchio) 3. Fossati’s and Messori’s Vision of Landscape in Viaggio in un paesaggio terrestre (Marina Spunta) Part Two: Photography Structuring Narrative 4. The Fiction of Photography: Vittorio Imbriani’s Merope IV – Sogni e fantasie di Quattr’Asterischi (1867) (Sarah A. Carey) 5. Narrated Photographs and the Collapse of Time and Space in Erri De Luca’s Non ora, non qui (Nancy Pedri) Part Three: Narrated Photographs and Photographs Narrating 6. Photo-Poems: Visual Impact Strategies and Photo-Story in the Work of Mario Giacomelli and Luigi Crocenzi (Marco Andreani) 7. What the Writer Saw (and the Camera Didn’t): Antonio Tabucchi’s Notturno indiano and Daniele Del Giudice’s Lo stadio di Wimbledon (Donata Panizza) 8. Photographs Illustrating and Photographs Telling: Exercises in Reading Lalla Romano and Elio Vittorini (Epifanio Ajello) Part Four: Through the Lens 9. Narrative Scopophilia as Seen through the Lens of a Photographic Camera: Intersemiotic Translation and Voyeurism in L’uomo che guarda (1985) (Mariarita Martino) 10. Photography into the Limelight: Andrea De Carlo’s Treno di panna (Sarah Patricia Hill) 11. Looking through Coloured Shards: Words and Images in Ornela Vorpsi’s Works (Giorgia AlÙ) Writing with Light: Concluding Remarks (Giorgia AlÙ And Nancy Pedri)
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