Through a wealth of archival documents and printed materials, Entangled Histories shows how, over the first half of the nineteenth century, opera helped redefine questions of collective identity in the Austrian empire, serving as a testing ground for, among others, theories of language and education, notions of fatherland and citizenship, artistic expressions of cultural hybridity, new forms of managing economic and cultural capital, and practices of collective memory.
Through a wealth of archival documents and printed materials, Entangled Histories shows how, over the first half of the nineteenth century, opera helped redefine questions of collective identity in the Austrian empire, serving as a testing ground for, among others, theories of language and education, notions of fatherland and citizenship, artistic expressions of cultural hybridity, new forms of managing economic and cultural capital, and practices of collective memory.
Claudio Vellutini is Associate Professor of Musicology at the University of British Columbia. He has published extensively on 19th-century opera, performers, and opera houses in 19th-Century Music, Cambridge Opera Journal , the Journal of the American Musicological Society, and in a number of edited volumes.
Inhaltsangabe
Introduction 1.: Opera and the Habsburgs 2.: The Politics of Theater Administration 3.: Beyond Boundaries: Rossini's Operas in Post-Napoleonic Vienna 4.: Romantic Milan 5.: Barbaja's Networks and Legacy 6.: Donizetti, Cosmopolitanism, and Habsburg Imperial Ideology 7.: Verdi's Ernani and the Construction of Dynastic Memory Epilogue: 1848 and Beyond Bibliography Index
Introduction 1.: Opera and the Habsburgs 2.: The Politics of Theater Administration 3.: Beyond Boundaries: Rossini's Operas in Post-Napoleonic Vienna 4.: Romantic Milan 5.: Barbaja's Networks and Legacy 6.: Donizetti, Cosmopolitanism, and Habsburg Imperial Ideology 7.: Verdi's Ernani and the Construction of Dynastic Memory Epilogue: 1848 and Beyond Bibliography Index
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