Tina Kendall is Associate Professor of Film & Media and Director of Research Students in the Faculty of Arts, Humanities, Education and Social Sciences at Anglia Ruskin University in Cambridge, UK. She has a particular interest in negative or ambivalent feelings such as boredom and disgust. She has published widely on the ethics and aesthetics of extreme cinemas, and is the co-editor of The New Extremism in Cinema: From France to Europe 2013).
Inhaltsangabe
Acknowledgements Introduction: Always Entertained? Boredom and Networked Media 1. What To Do When You're Bored: Gendered Boredom and Networked Media 2. How to Look Bored: Bored Bodies and the Biopolitics of Faciality and Gesture in Short-Form Video 3. Boredom-on-Demand: Always-On Subjects and Television's Ambient Turn 4. #Bored in the House: TikTok and the Rhythms of #LockdownLife Epilogue: Unworking Entertainment: Public Boredom and the Next Normal Notes Index
Acknowledgements Introduction: Always Entertained? Boredom and Networked Media 1. What To Do When You're Bored: Gendered Boredom and Networked Media 2. How to Look Bored: Bored Bodies and the Biopolitics of Faciality and Gesture in Short-Form Video 3. Boredom-on-Demand: Always-On Subjects and Television's Ambient Turn 4. #Bored in the House: TikTok and the Rhythms of #LockdownLife Epilogue: Unworking Entertainment: Public Boredom and the Next Normal Notes Index
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