This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known.
This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known.
Dominique Bauer is Assistant Professor of History at the Faculty of Architecture, University of Leuven, Belgium, and a member of the Centre d'Analyse Culturelle de la Première Modernité at the Université Catholique de Louvain. Camilla Murgia is Assistant Professor in History of Art at the Adam Mickiewicz University in Poznan. Previously, she was Junior Lecturer and Substitute Senior Lecturer in History of Art at the University of Lausanne, where she researched space, theatre, and staging in nineteenth-century France.
Inhaltsangabe
I. Introduction. Staging the Temporary: The Fragile Character of Space (Camilla Murgia), II. The Department Store, 1. One need be neither a shopper nor a purchaser to enjoy: Ephemeral Exhibitions at Tiffany & Co., 1870-1905 (Amy McHugh and Cristina Vignone), 2. Enclosed Exhibitions: Claustrophobia, Balloons, and the Department Store in Zola's Au Bonheur des Dames (Kathryn Haklin), III. Spectacles, 3. Jardins-Spectacles: Spaces and Traces of Embodiment (Susan Taylor-Leduc), 4. Parading the Temporary: Cosmoramas, Panoramas and Spectacles in Early Nineteenth-Century Paris (Camilla Murgia), 5. Portable Museums: Imaging and Staging the Northern Gothic Art Tour: Ephemera and Alterity (Juliet Simpson), IV. On the Intersection of Literature and the Built Environment, 6. The Elusiveness of History and the Ephemerality of Display in Nineteenth-Century France. On the Intersection of the Built Environment and the Spatial Image in Literature (Dominique Bauer), 7. The Phantasmatic Chinatown in Helen Hunt Jackson's The Chinese Empire and Mark Twain's Roughing It (Li-hsin Hsu), V. The Museum and Alternative Exhibition Spaces, 8. Show meets Science. How Hagenbeck's Human Zoos inspired Ethnographic Science and its Museum Presentation (Stefanie Jovanovic-Kruspel), 9. The Last Wunderkammer: Curiosities in Private Collections between the Nineteenth and Twentieth Centuries (Emanuele Pellegrini), 10. The Impact of Alternative Exhibition Spaces on European Modern Art before World War I (Nirmalie Alexandra Mulloli), Index.
I. Introduction. Staging the Temporary: The Fragile Character of Space (Camilla Murgia), II. The Department Store, 1. One need be neither a shopper nor a purchaser to enjoy: Ephemeral Exhibitions at Tiffany & Co., 1870-1905 (Amy McHugh and Cristina Vignone), 2. Enclosed Exhibitions: Claustrophobia, Balloons, and the Department Store in Zola's Au Bonheur des Dames (Kathryn Haklin), III. Spectacles, 3. Jardins-Spectacles: Spaces and Traces of Embodiment (Susan Taylor-Leduc), 4. Parading the Temporary: Cosmoramas, Panoramas and Spectacles in Early Nineteenth-Century Paris (Camilla Murgia), 5. Portable Museums: Imaging and Staging the Northern Gothic Art Tour: Ephemera and Alterity (Juliet Simpson), IV. On the Intersection of Literature and the Built Environment, 6. The Elusiveness of History and the Ephemerality of Display in Nineteenth-Century France. On the Intersection of the Built Environment and the Spatial Image in Literature (Dominique Bauer), 7. The Phantasmatic Chinatown in Helen Hunt Jackson's The Chinese Empire and Mark Twain's Roughing It (Li-hsin Hsu), V. The Museum and Alternative Exhibition Spaces, 8. Show meets Science. How Hagenbeck's Human Zoos inspired Ethnographic Science and its Museum Presentation (Stefanie Jovanovic-Kruspel), 9. The Last Wunderkammer: Curiosities in Private Collections between the Nineteenth and Twentieth Centuries (Emanuele Pellegrini), 10. The Impact of Alternative Exhibition Spaces on European Modern Art before World War I (Nirmalie Alexandra Mulloli), Index.
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