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Epic Ambitions in Modern Times examines how artists, in various forms and media, have reinvented the epic in the past three centuries.
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Epic Ambitions in Modern Times examines how artists, in various forms and media, have reinvented the epic in the past three centuries.
Produktdetails
- Produktdetails
- Verlag: Anthem Press
- Seitenzahl: 232
- Erscheinungstermin: 13. Februar 2024
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 383g
- ISBN-13: 9781839991561
- ISBN-10: 1839991569
- Artikelnr.: 69564456
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Anthem Press
- Seitenzahl: 232
- Erscheinungstermin: 13. Februar 2024
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 383g
- ISBN-13: 9781839991561
- ISBN-10: 1839991569
- Artikelnr.: 69564456
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Robert Crossley is a literary critic, editor, and biographer and former chair of the English Department at the University of Massachusetts Boston.
List of Figures; Acknowledgments; Chapter One Whatever Happened to the Epic?
[Introduction to the fate of epic in the past three centuries and the influence of Milton]; Chapter Two Leaving Paradise
[The final books of Paradise Lost and the end of an epic tradition]; Chapter Three An Epic Told in Letters
[The migration of epic to the novel in Richardson's Clarissa]; Chapter Four Prospects and Living Pictures
[Epic history-writing in Gibbon's Decline and Fall of the Roman Empire]; Chapter Five Analyzing a Soul
[Wordsworth's Prelude and Autobiographical Epic]; Chapter Six Epic Heroinism
[The Icelandic Völsunga Saga and Wagner's Ring]; Chapter Seven Cinematic Spectacle and the Hero
[The epic in film: Hollywood in the 1960s
and Abel Gance's silent Napoléon]; Chapter Eight Paradise Sought: The African American Odyssey
[The Great Migration in memoir
poetry
fiction and Jacob Lawrence's paintings]; Chapter Nine Imaginary History and Epic Fantasy
[Tolkien's Lord of the Rings and Silmarillion]; Chapter Ten The Epic in Future Tense
[Frederick Turner's three epic poems: The New World
Genesis and Apocalypse]; Chapter Eleven Eleven Heaven and Hell Reimagined
[Tony Kushner's Angels in America]; Chapter Twelve Translating and Recentering Old Epics
[Contemporary translations of ancient epics and fictional adaptations by Margaret Atwood
Ursula LeGuin
Madeline Miller
Maria Dahvana Headley]; Index
[Introduction to the fate of epic in the past three centuries and the influence of Milton]; Chapter Two Leaving Paradise
[The final books of Paradise Lost and the end of an epic tradition]; Chapter Three An Epic Told in Letters
[The migration of epic to the novel in Richardson's Clarissa]; Chapter Four Prospects and Living Pictures
[Epic history-writing in Gibbon's Decline and Fall of the Roman Empire]; Chapter Five Analyzing a Soul
[Wordsworth's Prelude and Autobiographical Epic]; Chapter Six Epic Heroinism
[The Icelandic Völsunga Saga and Wagner's Ring]; Chapter Seven Cinematic Spectacle and the Hero
[The epic in film: Hollywood in the 1960s
and Abel Gance's silent Napoléon]; Chapter Eight Paradise Sought: The African American Odyssey
[The Great Migration in memoir
poetry
fiction and Jacob Lawrence's paintings]; Chapter Nine Imaginary History and Epic Fantasy
[Tolkien's Lord of the Rings and Silmarillion]; Chapter Ten The Epic in Future Tense
[Frederick Turner's three epic poems: The New World
Genesis and Apocalypse]; Chapter Eleven Eleven Heaven and Hell Reimagined
[Tony Kushner's Angels in America]; Chapter Twelve Translating and Recentering Old Epics
[Contemporary translations of ancient epics and fictional adaptations by Margaret Atwood
Ursula LeGuin
Madeline Miller
Maria Dahvana Headley]; Index
List of Figures; Acknowledgments; Chapter One Whatever Happened to the Epic?
[Introduction to the fate of epic in the past three centuries and the influence of Milton]; Chapter Two Leaving Paradise
[The final books of Paradise Lost and the end of an epic tradition]; Chapter Three An Epic Told in Letters
[The migration of epic to the novel in Richardson's Clarissa]; Chapter Four Prospects and Living Pictures
[Epic history-writing in Gibbon's Decline and Fall of the Roman Empire]; Chapter Five Analyzing a Soul
[Wordsworth's Prelude and Autobiographical Epic]; Chapter Six Epic Heroinism
[The Icelandic Völsunga Saga and Wagner's Ring]; Chapter Seven Cinematic Spectacle and the Hero
[The epic in film: Hollywood in the 1960s
and Abel Gance's silent Napoléon]; Chapter Eight Paradise Sought: The African American Odyssey
[The Great Migration in memoir
poetry
fiction and Jacob Lawrence's paintings]; Chapter Nine Imaginary History and Epic Fantasy
[Tolkien's Lord of the Rings and Silmarillion]; Chapter Ten The Epic in Future Tense
[Frederick Turner's three epic poems: The New World
Genesis and Apocalypse]; Chapter Eleven Eleven Heaven and Hell Reimagined
[Tony Kushner's Angels in America]; Chapter Twelve Translating and Recentering Old Epics
[Contemporary translations of ancient epics and fictional adaptations by Margaret Atwood
Ursula LeGuin
Madeline Miller
Maria Dahvana Headley]; Index
[Introduction to the fate of epic in the past three centuries and the influence of Milton]; Chapter Two Leaving Paradise
[The final books of Paradise Lost and the end of an epic tradition]; Chapter Three An Epic Told in Letters
[The migration of epic to the novel in Richardson's Clarissa]; Chapter Four Prospects and Living Pictures
[Epic history-writing in Gibbon's Decline and Fall of the Roman Empire]; Chapter Five Analyzing a Soul
[Wordsworth's Prelude and Autobiographical Epic]; Chapter Six Epic Heroinism
[The Icelandic Völsunga Saga and Wagner's Ring]; Chapter Seven Cinematic Spectacle and the Hero
[The epic in film: Hollywood in the 1960s
and Abel Gance's silent Napoléon]; Chapter Eight Paradise Sought: The African American Odyssey
[The Great Migration in memoir
poetry
fiction and Jacob Lawrence's paintings]; Chapter Nine Imaginary History and Epic Fantasy
[Tolkien's Lord of the Rings and Silmarillion]; Chapter Ten The Epic in Future Tense
[Frederick Turner's three epic poems: The New World
Genesis and Apocalypse]; Chapter Eleven Eleven Heaven and Hell Reimagined
[Tony Kushner's Angels in America]; Chapter Twelve Translating and Recentering Old Epics
[Contemporary translations of ancient epics and fictional adaptations by Margaret Atwood
Ursula LeGuin
Madeline Miller
Maria Dahvana Headley]; Index







