Foreword Ian Bent Preface Notes on the translation Introduction Part I. Grundlagen des linearen Kontrapunkts (Foundations of linear counterpoint): 1. Polyphonic structure 2. Thematic and motivic processes 3. Polyphonic melody Part II. Romantische Harmonik und ihre Krise in Wagners 'Tristan' (Romantic harmony and its crisis in Wagner's 'Tristan'): 4. Details of Romantic harmony 5. Broader dimensions of Romantic harmony Part III. Bruckner: 6. Bruckner's form as undulatory phases 7. Details of Bruckner's symphonic waves Appendix: complete tables of contents for Kurth's Grundlagen des linearen Kontrapunkts, Romantische Harmonik und ihre Krise in Wagners 'Tristan' and Bruckner Select bibliography Index of musical examples General index.
Foreword Ian Bent Preface Notes on the translation Introduction Part I. Grundlagen des linearen Kontrapunkts (Foundations of linear counterpoint): 1. Polyphonic structure 2. Thematic and motivic processes 3. Polyphonic melody Part II. Romantische Harmonik und ihre Krise in Wagners 'Tristan' (Romantic harmony and its crisis in Wagner's 'Tristan'): 4. Details of Romantic harmony 5. Broader dimensions of Romantic harmony Part III. Bruckner: 6. Bruckner's form as undulatory phases 7. Details of Bruckner's symphonic waves Appendix: complete tables of contents for Kurth's Grundlagen des linearen Kontrapunkts, Romantische Harmonik und ihre Krise in Wagners 'Tristan' and Bruckner Select bibliography Index of musical examples General index.
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