Espectros is a compilation of original scholarly studies that presents the first volume-length exploration of the spectral in literature, film, and photography of Latin America, Spain, and the Latino diaspora. In recent decades, scholarship in deconstructionist "hauntology," trauma studies, affect in image theory, and a renewed interest in the Gothic genre, has given rise to a Spectral Studies approach to the study of narrative. Haunting, the spectral, and the effects of the unseen, carry a special weight in contemporary Latin American and Spanish cultures (referred to in the book as…mehr
Espectros is a compilation of original scholarly studies that presents the first volume-length exploration of the spectral in literature, film, and photography of Latin America, Spain, and the Latino diaspora. In recent decades, scholarship in deconstructionist "hauntology," trauma studies, affect in image theory, and a renewed interest in the Gothic genre, has given rise to a Spectral Studies approach to the study of narrative. Haunting, the spectral, and the effects of the unseen, carry a special weight in contemporary Latin American and Spanish cultures (referred to in the book as "Transhispanic cultures"), due to the ominous legacy of authoritarian governments and civil wars, as well as the imposition of the unseen yet tangible effects of global economics and neoliberal policies. Ribas and Petersen's detailed introductory analysis grounds haunting as a theoretical tool for literary and cultural criticism in the Transhispanic world, with an emphasis on the contemporary period from the end of the Cold War to the present. The chapters in this volume explore haunting from a diversity of perspectives, in particular engaging haunting as a manifestation of trauma, absence, and mourning. The editors carefully distinguish the collective, cultural dimension of historical trauma from the individual, psychological experience of the aftermath of a violent history, always taking into account unresolved social justice issues. The volume also addresses the association of the spectral photographic image with the concept of haunting because of the photograph's ability to reveal a presence that is traditionally absent or has been excluded from hegemonic representations of society. The volume concludes with a series of studies that address the unseen effects and progressive deterioration of the social fabric as a result of a globalized economy and neoliberal policies, from the modernization of the nation-state to present.
Alberto Ribas-Casasayas is assistant professor of Spanish and Latin American Studies at Santa Clara University. Amanda L. Petersen is associate professor of Spanish in the Department of Languages, Cultures, and Literatures and affiliated faculty for the Latin American Studies and Gender Studies programs at the University of San Diego.
Inhaltsangabe
Contents Introduction: Theories of the Ghost in a Transhispanic Context by Alberto Ribas-Casasayas and Amanda L. Petersen Part I. Ghostly Encounters: Haunted Histories Chapter 1: The Museum of Memory: Spectral Presences and Metaphoric Re-membering by Megan Corbin Chapter 2: The Bright Future of the Ghost: Memory in the Work of Javier Marías by Isabel Cuñado Chapter 3: The Spectrality of Political Violence: Exhuming Guatemala's Haunted Past in Tanya Maria Barrientos's Family Resemblance and Sylvia Sellers's When The Ground Turns in its Sleep by Susana S. Martínez Part II. The Persistence of Violence: Trauma as Haunting Chapter 4: Apparitions and Absence: Spectrality in Contemporary Novels of the Disappeared by Karen Wooley Martin Chapter 5: The Literalization of Trauma's Specter and the Problematization of Time in Aparecidos by Charles St-Georges Chapter 6: Phantom Children: Spectral Presences and the Violent Past in Two Films of Contemporary Spain by Sarah Thomas Chapter 7: Fog Instead of Land: Spectral Topographies of Disappearance in Colombia's Recent Literature and Film by Juliana Martínez Part III. Still Images: The Living and the Dead Chapter 8: Framing and Feeling Immigration: Haunting Visuality and Alterity in Ramito de hierbabuena by N. Michelle Murray Chapter 9: Memento Mori: Photography and Narrative in Cristina Rivera Garza's Nadie Me verá Llorar by Marta Sierra Part IV. Invisible Hands: Specters of the Market Economy Chapter 10: Cubagua's Ghosts by Juan Pablo Lupi Chapter 11: Portraits of the Walking Dead: Transgressing Genres and (In)visible Demographics in Maurice Echeverría by María del Carmen Caña Jiménez Chapter 12: Haunting Capitalism: Biutiful, the Specter, and Fantasies of the Global Market by Victoria L. Garrett and Edward M. Chauca Bibliography Index About the Contributors
Contents Introduction: Theories of the Ghost in a Transhispanic Context by Alberto Ribas-Casasayas and Amanda L. Petersen Part I. Ghostly Encounters: Haunted Histories Chapter 1: The Museum of Memory: Spectral Presences and Metaphoric Re-membering by Megan Corbin Chapter 2: The Bright Future of the Ghost: Memory in the Work of Javier Marías by Isabel Cuñado Chapter 3: The Spectrality of Political Violence: Exhuming Guatemala's Haunted Past in Tanya Maria Barrientos's Family Resemblance and Sylvia Sellers's When The Ground Turns in its Sleep by Susana S. Martínez Part II. The Persistence of Violence: Trauma as Haunting Chapter 4: Apparitions and Absence: Spectrality in Contemporary Novels of the Disappeared by Karen Wooley Martin Chapter 5: The Literalization of Trauma's Specter and the Problematization of Time in Aparecidos by Charles St-Georges Chapter 6: Phantom Children: Spectral Presences and the Violent Past in Two Films of Contemporary Spain by Sarah Thomas Chapter 7: Fog Instead of Land: Spectral Topographies of Disappearance in Colombia's Recent Literature and Film by Juliana Martínez Part III. Still Images: The Living and the Dead Chapter 8: Framing and Feeling Immigration: Haunting Visuality and Alterity in Ramito de hierbabuena by N. Michelle Murray Chapter 9: Memento Mori: Photography and Narrative in Cristina Rivera Garza's Nadie Me verá Llorar by Marta Sierra Part IV. Invisible Hands: Specters of the Market Economy Chapter 10: Cubagua's Ghosts by Juan Pablo Lupi Chapter 11: Portraits of the Walking Dead: Transgressing Genres and (In)visible Demographics in Maurice Echeverría by María del Carmen Caña Jiménez Chapter 12: Haunting Capitalism: Biutiful, the Specter, and Fantasies of the Global Market by Victoria L. Garrett and Edward M. Chauca Bibliography Index About the Contributors
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