“Eurydice is a luminous retelling of the Orpheus myth from his beloved wife’s point of view. Watching it, we enter a singular, surreal world, as lush and limpid as a dream—an anxiety dream of love and loss—where both author and audience swim in the magical, sometimes menacing, and always thrilling flow of the unconscious… Ruhl’s theatrical voice is reticent and daring, accurate and outlandish.” —John Lahr, New Yorker A reimagining of the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice journeys to the underworld, where she reunites with her…mehr
“Eurydice is a luminous retelling of the Orpheus myth from his beloved wife’s point of view. Watching it, we enter a singular, surreal world, as lush and limpid as a dream—an anxiety dream of love and loss—where both author and audience swim in the magical, sometimes menacing, and always thrilling flow of the unconscious… Ruhl’s theatrical voice is reticent and daring, accurate and outlandish.” —John Lahr, New Yorker A reimagining of the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice journeys to the underworld, where she reunites with her beloved father and struggles to recover lost memories of her husband and the world she left behind.
Sarah Ruhl’s fifteen plays include the Pulitzer Prize finalists The Clean House and In the Next Room (or the vibrator play), also nominated for a Tony Award. Her awards include a MacArthur Fellowship, and her book of essays 100 Essays I Don’t Have Time to Write was a New York Times Notable Book of the Year. Eurydice, named one of the 25 best American plays of the past 25 years in 2018 by the New York Times, was developed into an opera with music by Matthew Aucoin, and performed at The Metropolitan Opera in 2021. Her most recent book, Smile: The Story of a Face, was published in 2021 by Simon & Schuster. Ruhl teaches at the Yale School of Drama, and lives in Brooklyn with her family.
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