The first to systematically examine Waugh's relationship with cinema in the context of modernism, this book examines his departure from high modernism, which took the form of an 'outward turn' privileging exteriority over the interiority of consciousness, foregrounding talk and drawing on cinema, comedy, and satire.
The first to systematically examine Waugh's relationship with cinema in the context of modernism, this book examines his departure from high modernism, which took the form of an 'outward turn' privileging exteriority over the interiority of consciousness, foregrounding talk and drawing on cinema, comedy, and satire.
Yuexi Liu is Assistant Professor in English Literature at Xi'an Jiaotong-Liverpool University, China.
Inhaltsangabe
Introduction Exterior Modernist: The Outward Turn 1. 'In my beginning is my end': 'The Balance' and The Ordeal of Gilbert Pinfold 2. Cinema, Comedy, and Satire: Decline and Fall as a Chaplinesque Silent Film 3. Talk Fiction and the Group Novel: Vile Bodies as the Group Novel 4. Waugh's Heritage: Brideshead Revisited and Adaptation Conclusion: 'In my end is my beginning' Bibliography
Introduction Exterior Modernist: The Outward Turn 1. 'In my beginning is my end': 'The Balance' and The Ordeal of Gilbert Pinfold 2. Cinema, Comedy, and Satire: Decline and Fall as a Chaplinesque Silent Film 3. Talk Fiction and the Group Novel: Vile Bodies as the Group Novel 4. Waugh's Heritage: Brideshead Revisited and Adaptation Conclusion: 'In my end is my beginning' Bibliography
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