Every Form of Ruin - Adair-Hodges, Erin
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A rebuttal to Aeschylus's Oresteia, Every Form of Ruin posits the Erinyes' fury as righteous, understanding Clytemnestra's rageful response to loss, and refusing Iphigenia's relegation to a footnoted sacrifice. A fierce and darkly funny examination of anger, these lyrical poems push back against silencing by playing witness to a world where the experiences of women, nonbinary, and femme-identifying people are too often ignored, their responses dismissed as hysterical. These poems are also investigations into the loneliness of midlife; the search for one's own self when that self has given its…mehr

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Produktbeschreibung
A rebuttal to Aeschylus's Oresteia, Every Form of Ruin posits the Erinyes' fury as righteous, understanding Clytemnestra's rageful response to loss, and refusing Iphigenia's relegation to a footnoted sacrifice. A fierce and darkly funny examination of anger, these lyrical poems push back against silencing by playing witness to a world where the experiences of women, nonbinary, and femme-identifying people are too often ignored, their responses dismissed as hysterical. These poems are also investigations into the loneliness of midlife; the search for one's own self when that self has given its life to service. Every Form of Ruin counters our culture's erasure of women and resists the categorizations of maiden, mother, crone by blurring those distinctions through the creation of voices that are moved by rage and resistance. BLACK THUMB The dogwood was threatening >so I borrowed a chainsaw and gas. >bitter, tiny angry mangos in the mouth >to read him into silence, I practice not loving >As a child, I studied how to be a child. >but could never remember its name. I left her face down everywhere.
Autorenporträt
Erin Adair-Hodges is the author of Let's All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri, and works as a fiction acquisitions editor.