Offers an interdisciplinary study of blackness in genre literature of the Americas. The â fantasticalâ in fantastical blackness is conceived by an unrestrained imagination because it lives, despite every attempt at annihilation. This blackness amazes because it refuses the limits of anti-blackness.
Offers an interdisciplinary study of blackness in genre literature of the Americas. The â fantasticalâ in fantastical blackness is conceived by an unrestrained imagination because it lives, despite every attempt at annihilation. This blackness amazes because it refuses the limits of anti-blackness.
RHONDA FREDERICK is an associate professor of African and African diaspora studies and English at Boston College in Massachusetts. She is the author of "Colón Man a Come": Mythographies of Panama Canal Migration.
Inhaltsangabe
Prologue Introduction 1 First-Mystery: Fantastically Black Blanche White: BarbaraNeely's Blanche on the Lam 2 Second-Urban Romantica: Making Black and Jamaican Love: Colin Channer's Waiting in Vain and Romance-ified Diaspora Identities 3 Third-Fantasy: Fantastic Possibilities: Theorizing National Belonging through Nalo Hopkinson's Brown Girl in the Ring 4 Fourth-Multigenre: Seeing White: Colson Whitehead's The Underground Railroad 5 Fifth-Fantasy, Short Story: Fantastically Black Woman: Nalo Hopkinson's "A Habit of Waste" Epilogue Acknowledgments Notes Index
Prologue Introduction 1 First-Mystery: Fantastically Black Blanche White: BarbaraNeely's Blanche on the Lam 2 Second-Urban Romantica: Making Black and Jamaican Love: Colin Channer's Waiting in Vain and Romance-ified Diaspora Identities 3 Third-Fantasy: Fantastic Possibilities: Theorizing National Belonging through Nalo Hopkinson's Brown Girl in the Ring 4 Fourth-Multigenre: Seeing White: Colson Whitehead's The Underground Railroad 5 Fifth-Fantasy, Short Story: Fantastically Black Woman: Nalo Hopkinson's "A Habit of Waste" Epilogue Acknowledgments Notes Index
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