Although the hard-nosed scientist and the dandy aesthete seem unlikely allies at first glance, Lindsay Wilhelm argues that Victorian evolutionism and the Aesthetic (or â art for art's sakeâ ) Movement converged on surprisingly utopian ideas about beauty, pleasure, and the power of good taste to shape our society for the better.
Although the hard-nosed scientist and the dandy aesthete seem unlikely allies at first glance, Lindsay Wilhelm argues that Victorian evolutionism and the Aesthetic (or â art for art's sakeâ ) Movement converged on surprisingly utopian ideas about beauty, pleasure, and the power of good taste to shape our society for the better.
Produktdetails
Produktdetails
Cambridge Studies in Nineteenth-Century Literature and Culture
Lindsay Wilhelm is an Assistant Professor at Oklahoma State University. Her major research and teaching interests include aestheticism and decadence, literature and science, and the Victorian Pacific. She has published articles on these and related topics in Victorian Studies, Nineteenth-Century Literature, the LA Review of Books, and other venues.
Inhaltsangabe
1. On the origin of evolutionary aesthetics 2. Evolution, secular reverence, and the rise of aestheticism 3. The Utopian (r)evolutionism of Grant Allen and Oscar Wilde 4. Art for the sake of life: 'life-enhancing' aesthetics in the Fin de Siècle 5. Taste and cultural progress in Bloomsbury and beyond Coda: the critic as prophet.
1. On the origin of evolutionary aesthetics 2. Evolution, secular reverence, and the rise of aestheticism 3. The Utopian (r)evolutionism of Grant Allen and Oscar Wilde 4. Art for the sake of life: 'life-enhancing' aesthetics in the Fin de Siècle 5. Taste and cultural progress in Bloomsbury and beyond Coda: the critic as prophet.
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