Exhibition as Interior, Interior as Exhibition
Spaces of Display Within and Beyond the Museum and Gallery
Herausgeber: Sparke, Penny; Lara-Betancourt, Patricia; Fisher, Fiona; Ioannidou, Ersi; Kirkham, Pat; Scholze, Jana
Exhibition as Interior, Interior as Exhibition
Spaces of Display Within and Beyond the Museum and Gallery
Herausgeber: Sparke, Penny; Lara-Betancourt, Patricia; Fisher, Fiona; Ioannidou, Ersi; Kirkham, Pat; Scholze, Jana
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Explores the relationship between exhibitions and interiors through their interconnected histories, design and theory.
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Explores the relationship between exhibitions and interiors through their interconnected histories, design and theory.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 216
- Erscheinungstermin: 11. Dezember 2025
- Englisch
- Abmessung: 234mm x 156mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781350449749
- ISBN-10: 1350449741
- Artikelnr.: 73928292
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Academic
- Seitenzahl: 216
- Erscheinungstermin: 11. Dezember 2025
- Englisch
- Abmessung: 234mm x 156mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781350449749
- ISBN-10: 1350449741
- Artikelnr.: 73928292
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Penny Sparke is Professor of Design History and Director of the Modern Interiors Research Centre at Kingston University. She previously co-edited Interiors in the Era of Covid-19 (Bloomsbury 2022).
Introduction - Penny Sparke, Fiona Fisher, Ersi Ioannidou, Pat Kirkham,
Patricia Lara-Betancourt, Jana Scholze
Section 1: Exhibitions and the Private/Public Divide
1. Museum Exhibitions and the Interior: Labour, Emotion and Hierarchy
'Behind the Scenes' - Claire Wintle (University of Brighton)
2. Negotiating the White Cube: Textile Interiors - Trine Friis Sørensen
(Aarhus University)
3. Exhibitions as Laboratories and Office Workstations in the 1990s - Lia
Carreira (University of Southampton)
4. Model Apartments and a New Culture of Living in Socialist Yugoslavia -
Cvetka Pozar and Maja Vardjan (co-curators at MAO)
5. Tangible Advice - A Home Show in the Periphery of Danish Design in 1953
- Hans-Christian Jensen (University of Southern Denmark)
Section 2: Exhibitions as Ambiguous Interiors
6. The Exhibition is a Banana: How Imaginary Interiors Change the World -
Sam Jacob (University of Illinois Chicago)
7. Exhibitions, Interiors, Exteriors: Ambiguous Continuities in the Work of
Artists International Association, 1933-1943 - Harriet Atkinson (
University of Brighton)
8. The Society of Interior Designers of Australia (SIDA): Exhibitions, Room
Settings, Fantasy and Spectacle, 1962-1971 - Catriona Quinn (University of
New South Wales)
9. The Hotel Room as Art Fair Booth, as Interior, as Exhibition -
Stephanie Dieckvoss (Kingston University)
10. Exhibitions as Temporary Homes: Living in The Public Gallery as
Artistic Practice - Katerina Stroblová
(University of Ostrava)
11. Inhabiting the Exhibition Space: Designing Encounters in the Museum -
Tulga Beyerle, Nina Lucia Groß & Tilman Walther (co-curators at Museum für
Kunst und Gewerbe Hamburg)
Section 3: Exhibitions as Spaces of Enactment
12. Beyond the Period Room: Reframing the Interior as a Space for Diasporic
Narratives - Stefan Krämer (Ruhr-Universität Bochum)
13. Inhabiting the Exhibition: On Architecture, Collecting, and the
Everyday - Alejandro Campos Uribe (Delft University of Technology)
14. The Communal Interior: Furmany Lane Artist Squat as a Crux of
Collective Art - Senem Yildirim (New York University)
15. The Domestic Interior as Exhibition Installation: Jan Hoet's 'Chambres
d'Amis' - Karen Shelby (City University of New York)
16. Between 'Ideal Home' and Modern Art Gallery: Revisiting an Exhibition
Interior by the Omega Workshops - Ben Angwin (Kingston University)
Index
Patricia Lara-Betancourt, Jana Scholze
Section 1: Exhibitions and the Private/Public Divide
1. Museum Exhibitions and the Interior: Labour, Emotion and Hierarchy
'Behind the Scenes' - Claire Wintle (University of Brighton)
2. Negotiating the White Cube: Textile Interiors - Trine Friis Sørensen
(Aarhus University)
3. Exhibitions as Laboratories and Office Workstations in the 1990s - Lia
Carreira (University of Southampton)
4. Model Apartments and a New Culture of Living in Socialist Yugoslavia -
Cvetka Pozar and Maja Vardjan (co-curators at MAO)
5. Tangible Advice - A Home Show in the Periphery of Danish Design in 1953
- Hans-Christian Jensen (University of Southern Denmark)
Section 2: Exhibitions as Ambiguous Interiors
6. The Exhibition is a Banana: How Imaginary Interiors Change the World -
Sam Jacob (University of Illinois Chicago)
7. Exhibitions, Interiors, Exteriors: Ambiguous Continuities in the Work of
Artists International Association, 1933-1943 - Harriet Atkinson (
University of Brighton)
8. The Society of Interior Designers of Australia (SIDA): Exhibitions, Room
Settings, Fantasy and Spectacle, 1962-1971 - Catriona Quinn (University of
New South Wales)
9. The Hotel Room as Art Fair Booth, as Interior, as Exhibition -
Stephanie Dieckvoss (Kingston University)
10. Exhibitions as Temporary Homes: Living in The Public Gallery as
Artistic Practice - Katerina Stroblová
(University of Ostrava)
11. Inhabiting the Exhibition Space: Designing Encounters in the Museum -
Tulga Beyerle, Nina Lucia Groß & Tilman Walther (co-curators at Museum für
Kunst und Gewerbe Hamburg)
Section 3: Exhibitions as Spaces of Enactment
12. Beyond the Period Room: Reframing the Interior as a Space for Diasporic
Narratives - Stefan Krämer (Ruhr-Universität Bochum)
13. Inhabiting the Exhibition: On Architecture, Collecting, and the
Everyday - Alejandro Campos Uribe (Delft University of Technology)
14. The Communal Interior: Furmany Lane Artist Squat as a Crux of
Collective Art - Senem Yildirim (New York University)
15. The Domestic Interior as Exhibition Installation: Jan Hoet's 'Chambres
d'Amis' - Karen Shelby (City University of New York)
16. Between 'Ideal Home' and Modern Art Gallery: Revisiting an Exhibition
Interior by the Omega Workshops - Ben Angwin (Kingston University)
Index
Introduction - Penny Sparke, Fiona Fisher, Ersi Ioannidou, Pat Kirkham,
Patricia Lara-Betancourt, Jana Scholze
Section 1: Exhibitions and the Private/Public Divide
1. Museum Exhibitions and the Interior: Labour, Emotion and Hierarchy
'Behind the Scenes' - Claire Wintle (University of Brighton)
2. Negotiating the White Cube: Textile Interiors - Trine Friis Sørensen
(Aarhus University)
3. Exhibitions as Laboratories and Office Workstations in the 1990s - Lia
Carreira (University of Southampton)
4. Model Apartments and a New Culture of Living in Socialist Yugoslavia -
Cvetka Pozar and Maja Vardjan (co-curators at MAO)
5. Tangible Advice - A Home Show in the Periphery of Danish Design in 1953
- Hans-Christian Jensen (University of Southern Denmark)
Section 2: Exhibitions as Ambiguous Interiors
6. The Exhibition is a Banana: How Imaginary Interiors Change the World -
Sam Jacob (University of Illinois Chicago)
7. Exhibitions, Interiors, Exteriors: Ambiguous Continuities in the Work of
Artists International Association, 1933-1943 - Harriet Atkinson (
University of Brighton)
8. The Society of Interior Designers of Australia (SIDA): Exhibitions, Room
Settings, Fantasy and Spectacle, 1962-1971 - Catriona Quinn (University of
New South Wales)
9. The Hotel Room as Art Fair Booth, as Interior, as Exhibition -
Stephanie Dieckvoss (Kingston University)
10. Exhibitions as Temporary Homes: Living in The Public Gallery as
Artistic Practice - Katerina Stroblová
(University of Ostrava)
11. Inhabiting the Exhibition Space: Designing Encounters in the Museum -
Tulga Beyerle, Nina Lucia Groß & Tilman Walther (co-curators at Museum für
Kunst und Gewerbe Hamburg)
Section 3: Exhibitions as Spaces of Enactment
12. Beyond the Period Room: Reframing the Interior as a Space for Diasporic
Narratives - Stefan Krämer (Ruhr-Universität Bochum)
13. Inhabiting the Exhibition: On Architecture, Collecting, and the
Everyday - Alejandro Campos Uribe (Delft University of Technology)
14. The Communal Interior: Furmany Lane Artist Squat as a Crux of
Collective Art - Senem Yildirim (New York University)
15. The Domestic Interior as Exhibition Installation: Jan Hoet's 'Chambres
d'Amis' - Karen Shelby (City University of New York)
16. Between 'Ideal Home' and Modern Art Gallery: Revisiting an Exhibition
Interior by the Omega Workshops - Ben Angwin (Kingston University)
Index
Patricia Lara-Betancourt, Jana Scholze
Section 1: Exhibitions and the Private/Public Divide
1. Museum Exhibitions and the Interior: Labour, Emotion and Hierarchy
'Behind the Scenes' - Claire Wintle (University of Brighton)
2. Negotiating the White Cube: Textile Interiors - Trine Friis Sørensen
(Aarhus University)
3. Exhibitions as Laboratories and Office Workstations in the 1990s - Lia
Carreira (University of Southampton)
4. Model Apartments and a New Culture of Living in Socialist Yugoslavia -
Cvetka Pozar and Maja Vardjan (co-curators at MAO)
5. Tangible Advice - A Home Show in the Periphery of Danish Design in 1953
- Hans-Christian Jensen (University of Southern Denmark)
Section 2: Exhibitions as Ambiguous Interiors
6. The Exhibition is a Banana: How Imaginary Interiors Change the World -
Sam Jacob (University of Illinois Chicago)
7. Exhibitions, Interiors, Exteriors: Ambiguous Continuities in the Work of
Artists International Association, 1933-1943 - Harriet Atkinson (
University of Brighton)
8. The Society of Interior Designers of Australia (SIDA): Exhibitions, Room
Settings, Fantasy and Spectacle, 1962-1971 - Catriona Quinn (University of
New South Wales)
9. The Hotel Room as Art Fair Booth, as Interior, as Exhibition -
Stephanie Dieckvoss (Kingston University)
10. Exhibitions as Temporary Homes: Living in The Public Gallery as
Artistic Practice - Katerina Stroblová
(University of Ostrava)
11. Inhabiting the Exhibition Space: Designing Encounters in the Museum -
Tulga Beyerle, Nina Lucia Groß & Tilman Walther (co-curators at Museum für
Kunst und Gewerbe Hamburg)
Section 3: Exhibitions as Spaces of Enactment
12. Beyond the Period Room: Reframing the Interior as a Space for Diasporic
Narratives - Stefan Krämer (Ruhr-Universität Bochum)
13. Inhabiting the Exhibition: On Architecture, Collecting, and the
Everyday - Alejandro Campos Uribe (Delft University of Technology)
14. The Communal Interior: Furmany Lane Artist Squat as a Crux of
Collective Art - Senem Yildirim (New York University)
15. The Domestic Interior as Exhibition Installation: Jan Hoet's 'Chambres
d'Amis' - Karen Shelby (City University of New York)
16. Between 'Ideal Home' and Modern Art Gallery: Revisiting an Exhibition
Interior by the Omega Workshops - Ben Angwin (Kingston University)
Index







