Exhibitions Beyond Boundaries
Transnational Exchanges Through Art, Architecture, and Design 1945-1985
Herausgeber: Atkinson, Harriet; Lichtman, Sarah A; Clarkson, Verity
Exhibitions Beyond Boundaries
Transnational Exchanges Through Art, Architecture, and Design 1945-1985
Herausgeber: Atkinson, Harriet; Lichtman, Sarah A; Clarkson, Verity
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The first academic work to present design exhibitions as an important means of international exchange in terms of culture, diplomacy and 'soft power'.
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The first academic work to present design exhibitions as an important means of international exchange in terms of culture, diplomacy and 'soft power'.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 320
- Erscheinungstermin: 2. Oktober 2025
- Englisch
- Abmessung: 234mm x 156mm x 25mm
- Gewicht: 730g
- ISBN-13: 9781350568310
- ISBN-10: 1350568317
- Artikelnr.: 74202898
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 320
- Erscheinungstermin: 2. Oktober 2025
- Englisch
- Abmessung: 234mm x 156mm x 25mm
- Gewicht: 730g
- ISBN-13: 9781350568310
- ISBN-10: 1350568317
- Artikelnr.: 74202898
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Harriet Atkinson is a historian of design and culture and Researcher at the Centre for Design History at the University of Brighton, UK. She is currently Principal Investigator on the Arts and Humanities Research Council-funded project, '"The Materialization of Persuasion": Modernist Exhibitions in Britain for Propaganda and Resistance, 1933 to 1953' and has written extensively on the history and theory of exhibitions. She is the author of Festival of Britain (Bloomsbury, 2012) and co-editor, with Jeremy Aynsley, of The Banham Lectures (Bloomsbury, 2009). Verity Clarkson is a design historian and Senior Lecturer at the University of Brighton, UK. Her research explores post-war visual and material culture, investigating transnational connections between arts organizations, government bodies and audiences with a particular focus on the organization and reception of exhibitions. She has published on post-1945 exhibitions, trade fairs and art historiography in the context of British Cold War cultural diplomacy. Sarah A. Lichtman is Assistant Professor of Design History at Parsons School of Design, The New School, USA, where she directs the Master of Arts program in the History of Design and Curatorial Studies, offered in affiliation with Cooper Hewitt, Smithsonian Design Museum in New York, USA. She is co-editor, with Pat Kirkham, of Screen Interiors (Bloomsbury, 2021) and has published widely on design and gender. Lichtman is currently Managing Editor of the Journal of Design History.
List of Figures Acknowledgments Foreword
Jonathan M. Woodham (University of Brighton
UK) Exhibitions Beyond Boundaries: An Introduction
Harriet Atkinson and Verity Clarkson (University of Brighton
UK)
and Sarah A. Lichtman (Parsons School of Design
The New School
USA) 1. Universal Civilization and National Cultures: Producing Israel at the Venice Biennale
1948-1952
Chelsea Haines (Arizona State University
USA) 2. Salvaging Through Merchandising: America's Vietnamese Craft Diplomacy on Display in the US in 1956 and 1958
Jennifer Way (University of North Texas
USA) 3. "A Slightly Exotic Country": Poland's Contentious Debut at the 11th Milan Triennale
1957
Katarzyna Jezowska (UNSW Sydney
Australia) 4. Self-management on Display: Negotiating the Visions of Yugoslav Socialist Modernity at Expo 58 and Porodica i domacinstvo Exhibitions
Rujana Rebernjak (London College of Communication
UAL
UK) 5. "One of the Puzzles of the Exhibition": A Misunderstood Cittadina
Neoliberty
and the Italian Display at Brussels Expo 58
Rika Devos and Serena Pacchiani (Université Libre de Bruxelles
Belgium) 6. Assembling Smallness: The United States Small Industries Exhibition in Colombo
1961
Nushelle de Silva (MIT
USA) 7. Painting from the Pacific and Artistic Exchange Across the Pacific
1961
Ian Cooke (Independent Scholar
USA) 8. "A Wholly American Plastic Package": Transnationalism
Technology
and Theology at The Vatican Pavilion in the 1964-1965 New York World's Fair
Ethan Robey (Pennsylvania State University
USA) 9. "The Gentle Art of Cookery": Exhibiting Transnational Anglo-Russian Diplomatic History During the Cold War
1967
Verity Clarkson (University of Brighton
UK) 10. From FESMAN '66 to FESTAC '77: Competing Curatorial Strategies for African-American Art at Pan-African Festivals
Lindsay Twa (Augustana University
USA) 11. Designing Stability: Hong Kong's Pavilion at Expo 70 and Local Expositions
Daniel Cooper (Columbia University
USA) and Juliana Kei (Royal College of Art
UK) 12. Pharaoh Diplomacy: The Soft Power of the Treasures of Tutankhamun
Mario Schulze (Zürich University of the Arts
Switzerland) 13. A "Tropic-Proof Container Exhibition": The Role of Environmental Factors in Configuring Design
a Dutch Case Study
Joana Meroz (Vrije Universiteit Amsterdam
the Netherlands) Notes on Contributors Index
Jonathan M. Woodham (University of Brighton
UK) Exhibitions Beyond Boundaries: An Introduction
Harriet Atkinson and Verity Clarkson (University of Brighton
UK)
and Sarah A. Lichtman (Parsons School of Design
The New School
USA) 1. Universal Civilization and National Cultures: Producing Israel at the Venice Biennale
1948-1952
Chelsea Haines (Arizona State University
USA) 2. Salvaging Through Merchandising: America's Vietnamese Craft Diplomacy on Display in the US in 1956 and 1958
Jennifer Way (University of North Texas
USA) 3. "A Slightly Exotic Country": Poland's Contentious Debut at the 11th Milan Triennale
1957
Katarzyna Jezowska (UNSW Sydney
Australia) 4. Self-management on Display: Negotiating the Visions of Yugoslav Socialist Modernity at Expo 58 and Porodica i domacinstvo Exhibitions
Rujana Rebernjak (London College of Communication
UAL
UK) 5. "One of the Puzzles of the Exhibition": A Misunderstood Cittadina
Neoliberty
and the Italian Display at Brussels Expo 58
Rika Devos and Serena Pacchiani (Université Libre de Bruxelles
Belgium) 6. Assembling Smallness: The United States Small Industries Exhibition in Colombo
1961
Nushelle de Silva (MIT
USA) 7. Painting from the Pacific and Artistic Exchange Across the Pacific
1961
Ian Cooke (Independent Scholar
USA) 8. "A Wholly American Plastic Package": Transnationalism
Technology
and Theology at The Vatican Pavilion in the 1964-1965 New York World's Fair
Ethan Robey (Pennsylvania State University
USA) 9. "The Gentle Art of Cookery": Exhibiting Transnational Anglo-Russian Diplomatic History During the Cold War
1967
Verity Clarkson (University of Brighton
UK) 10. From FESMAN '66 to FESTAC '77: Competing Curatorial Strategies for African-American Art at Pan-African Festivals
Lindsay Twa (Augustana University
USA) 11. Designing Stability: Hong Kong's Pavilion at Expo 70 and Local Expositions
Daniel Cooper (Columbia University
USA) and Juliana Kei (Royal College of Art
UK) 12. Pharaoh Diplomacy: The Soft Power of the Treasures of Tutankhamun
Mario Schulze (Zürich University of the Arts
Switzerland) 13. A "Tropic-Proof Container Exhibition": The Role of Environmental Factors in Configuring Design
a Dutch Case Study
Joana Meroz (Vrije Universiteit Amsterdam
the Netherlands) Notes on Contributors Index
List of Figures Acknowledgments Foreword
Jonathan M. Woodham (University of Brighton
UK) Exhibitions Beyond Boundaries: An Introduction
Harriet Atkinson and Verity Clarkson (University of Brighton
UK)
and Sarah A. Lichtman (Parsons School of Design
The New School
USA) 1. Universal Civilization and National Cultures: Producing Israel at the Venice Biennale
1948-1952
Chelsea Haines (Arizona State University
USA) 2. Salvaging Through Merchandising: America's Vietnamese Craft Diplomacy on Display in the US in 1956 and 1958
Jennifer Way (University of North Texas
USA) 3. "A Slightly Exotic Country": Poland's Contentious Debut at the 11th Milan Triennale
1957
Katarzyna Jezowska (UNSW Sydney
Australia) 4. Self-management on Display: Negotiating the Visions of Yugoslav Socialist Modernity at Expo 58 and Porodica i domacinstvo Exhibitions
Rujana Rebernjak (London College of Communication
UAL
UK) 5. "One of the Puzzles of the Exhibition": A Misunderstood Cittadina
Neoliberty
and the Italian Display at Brussels Expo 58
Rika Devos and Serena Pacchiani (Université Libre de Bruxelles
Belgium) 6. Assembling Smallness: The United States Small Industries Exhibition in Colombo
1961
Nushelle de Silva (MIT
USA) 7. Painting from the Pacific and Artistic Exchange Across the Pacific
1961
Ian Cooke (Independent Scholar
USA) 8. "A Wholly American Plastic Package": Transnationalism
Technology
and Theology at The Vatican Pavilion in the 1964-1965 New York World's Fair
Ethan Robey (Pennsylvania State University
USA) 9. "The Gentle Art of Cookery": Exhibiting Transnational Anglo-Russian Diplomatic History During the Cold War
1967
Verity Clarkson (University of Brighton
UK) 10. From FESMAN '66 to FESTAC '77: Competing Curatorial Strategies for African-American Art at Pan-African Festivals
Lindsay Twa (Augustana University
USA) 11. Designing Stability: Hong Kong's Pavilion at Expo 70 and Local Expositions
Daniel Cooper (Columbia University
USA) and Juliana Kei (Royal College of Art
UK) 12. Pharaoh Diplomacy: The Soft Power of the Treasures of Tutankhamun
Mario Schulze (Zürich University of the Arts
Switzerland) 13. A "Tropic-Proof Container Exhibition": The Role of Environmental Factors in Configuring Design
a Dutch Case Study
Joana Meroz (Vrije Universiteit Amsterdam
the Netherlands) Notes on Contributors Index
Jonathan M. Woodham (University of Brighton
UK) Exhibitions Beyond Boundaries: An Introduction
Harriet Atkinson and Verity Clarkson (University of Brighton
UK)
and Sarah A. Lichtman (Parsons School of Design
The New School
USA) 1. Universal Civilization and National Cultures: Producing Israel at the Venice Biennale
1948-1952
Chelsea Haines (Arizona State University
USA) 2. Salvaging Through Merchandising: America's Vietnamese Craft Diplomacy on Display in the US in 1956 and 1958
Jennifer Way (University of North Texas
USA) 3. "A Slightly Exotic Country": Poland's Contentious Debut at the 11th Milan Triennale
1957
Katarzyna Jezowska (UNSW Sydney
Australia) 4. Self-management on Display: Negotiating the Visions of Yugoslav Socialist Modernity at Expo 58 and Porodica i domacinstvo Exhibitions
Rujana Rebernjak (London College of Communication
UAL
UK) 5. "One of the Puzzles of the Exhibition": A Misunderstood Cittadina
Neoliberty
and the Italian Display at Brussels Expo 58
Rika Devos and Serena Pacchiani (Université Libre de Bruxelles
Belgium) 6. Assembling Smallness: The United States Small Industries Exhibition in Colombo
1961
Nushelle de Silva (MIT
USA) 7. Painting from the Pacific and Artistic Exchange Across the Pacific
1961
Ian Cooke (Independent Scholar
USA) 8. "A Wholly American Plastic Package": Transnationalism
Technology
and Theology at The Vatican Pavilion in the 1964-1965 New York World's Fair
Ethan Robey (Pennsylvania State University
USA) 9. "The Gentle Art of Cookery": Exhibiting Transnational Anglo-Russian Diplomatic History During the Cold War
1967
Verity Clarkson (University of Brighton
UK) 10. From FESMAN '66 to FESTAC '77: Competing Curatorial Strategies for African-American Art at Pan-African Festivals
Lindsay Twa (Augustana University
USA) 11. Designing Stability: Hong Kong's Pavilion at Expo 70 and Local Expositions
Daniel Cooper (Columbia University
USA) and Juliana Kei (Royal College of Art
UK) 12. Pharaoh Diplomacy: The Soft Power of the Treasures of Tutankhamun
Mario Schulze (Zürich University of the Arts
Switzerland) 13. A "Tropic-Proof Container Exhibition": The Role of Environmental Factors in Configuring Design
a Dutch Case Study
Joana Meroz (Vrije Universiteit Amsterdam
the Netherlands) Notes on Contributors Index







