Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society.
Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society.
SARAH KIRBY is a Research Fellow at the Grainger Museum, University of Melbourne. She is the author of Exhibitions, Music and the British Empire (The Boydell Press, 2022).
Inhaltsangabe
Introduction 1. Exhibiting Music 2. The Musical Object 3. Sounding Instruments 4. Museums and the History of Music 5. Performance, Rational Recreation, and Music for 'Progress' 6. Music for Leisure and Entertainment 7. Nationalism and Music 8. Curating Non-Western Music 9. Performing Non-Western Music Conclusion: Exhibitions and Their Musical Legacies Bibliography
Introduction 1. Exhibiting Music 2. The Musical Object 3. Sounding Instruments 4. Museums and the History of Music 5. Performance, Rational Recreation, and Music for 'Progress' 6. Music for Leisure and Entertainment 7. Nationalism and Music 8. Curating Non-Western Music 9. Performing Non-Western Music Conclusion: Exhibitions and Their Musical Legacies Bibliography
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