Dr. Akihiro Yamada is a retired Professor of English Literature at Meisei University, Tokyo and is the author for more than a dozen books on Shakespeare and English Literature.
Inhaltsangabe
Preface Tables, Figures and Acknowledgments Works Cited and Abbreviations Introduction to Shakespeare and the Population of London PART ONE: Authors/Playwrights, Readers and Theatre-goers: Their Mutual Interactions Chapter 1: The Formation of a Class of Readers Chapter 2: The Improvement of Literacy and its Reflection in Drama Chapter 3: The Rise of Drama and the Birth of a Class of Readers of Drama PART TWO: Playwrights, Playbook Readers and Printers/Publishers: Their Increasing Cooperation for the Unification of Forms of Dramatic Texts Chapter 4: Changes in Form of Dramatic Texts: A Standardization PART THREE: Playbook Readers and their Responses to the Text Chapter 5: Readers of Drama-their Annotations (1): Play-Quartos of Chapman, Ford and Marston Chapter 6: Readers of Drama-their Annotations (2): Play-Quartos and the First Folio of Shakespeare Conclusion: The Zeal of Audiences and the Passion of Readers Appendixes A1: The Estimated Population of London: A Comparison between Yamada and Sutherland A2: The Distribution Ratio of Minors' Age-structure of the British Population in the Sixteenth and Seventeenth Centuries A3: Principles for Table 8 concerning Plays which contain Scenes of, or References to, Reading and/or Writing-a Memorandum A4: Shakespeare's Plays: Their Dates and Proposers of Dates, &c. A5: Play-Quartos Published in the 1590s A6: A List of Play-Quartos Examined A List of Plays and Other Works mentioned with the Authors' Names Index
Preface Tables, Figures and Acknowledgments Works Cited and Abbreviations Introduction to Shakespeare and the Population of London PART ONE: Authors/Playwrights, Readers and Theatre-goers: Their Mutual Interactions Chapter 1: The Formation of a Class of Readers Chapter 2: The Improvement of Literacy and its Reflection in Drama Chapter 3: The Rise of Drama and the Birth of a Class of Readers of Drama PART TWO: Playwrights, Playbook Readers and Printers/Publishers: Their Increasing Cooperation for the Unification of Forms of Dramatic Texts Chapter 4: Changes in Form of Dramatic Texts: A Standardization PART THREE: Playbook Readers and their Responses to the Text Chapter 5: Readers of Drama-their Annotations (1): Play-Quartos of Chapman, Ford and Marston Chapter 6: Readers of Drama-their Annotations (2): Play-Quartos and the First Folio of Shakespeare Conclusion: The Zeal of Audiences and the Passion of Readers Appendixes A1: The Estimated Population of London: A Comparison between Yamada and Sutherland A2: The Distribution Ratio of Minors' Age-structure of the British Population in the Sixteenth and Seventeenth Centuries A3: Principles for Table 8 concerning Plays which contain Scenes of, or References to, Reading and/or Writing-a Memorandum A4: Shakespeare's Plays: Their Dates and Proposers of Dates, &c. A5: Play-Quartos Published in the 1590s A6: A List of Play-Quartos Examined A List of Plays and Other Works mentioned with the Authors' Names Index
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