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LaFave opens the ears of film-goers to the nuance behind movie music, laying out in layman's language how composers map what we hear to what we see. As part of the Listener's Companion series, this volume provides an enhanced experience of music by exploring how the works were written and first performed as well as how they are enjoyed today.

Produktbeschreibung
LaFave opens the ears of film-goers to the nuance behind movie music, laying out in layman's language how composers map what we hear to what we see. As part of the Listener's Companion series, this volume provides an enhanced experience of music by exploring how the works were written and first performed as well as how they are enjoyed today.
Autorenporträt
Kenneth LaFave, former music critic for the Arizona Republic and the Kansas City Star, composes, teaches, and writes about music. The Phoenix Symphony, the Chicago String Quartet, and the Kansas City Chorale have commissioned scores from him, and his essays and reviews have appeared in NewMusicBox.org, Opera News, and Dance magazine. LaFave was a pit musician for the workshop production of Leonard Bernstein's last (unfinished) musical, The Race to Urga. He is the author of Experiencing Leonard Bernstein: A Listener's Companion.