Experimental and Independent Italian Cinema
Legacies and Transformations Into the Twenty-First Century
Herausgeber: Cristiano, Anthony; Coen, Carlo
Experimental and Independent Italian Cinema
Legacies and Transformations Into the Twenty-First Century
Herausgeber: Cristiano, Anthony; Coen, Carlo
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Discussing a variety of independent and experimental Italian films, this book gives voice to a critcically neglected form of Italian cinema and explores the character of independent films and their related practices within the Italian historical, cultural and cinematic landscape.
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Discussing a variety of independent and experimental Italian films, this book gives voice to a critcically neglected form of Italian cinema and explores the character of independent films and their related practices within the Italian historical, cultural and cinematic landscape.
Produktdetails
- Produktdetails
- Verlag: Edinburgh University Press
- Seitenzahl: 344
- Erscheinungstermin: 22. Juli 2020
- Englisch
- Abmessung: 234mm x 156mm x 21mm
- Gewicht: 670g
- ISBN-13: 9781474474030
- ISBN-10: 1474474039
- Artikelnr.: 59412481
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Edinburgh University Press
- Seitenzahl: 344
- Erscheinungstermin: 22. Juli 2020
- Englisch
- Abmessung: 234mm x 156mm x 21mm
- Gewicht: 670g
- ISBN-13: 9781474474030
- ISBN-10: 1474474039
- Artikelnr.: 59412481
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Dr Anthony Cristiano is Lecturer in Digital Media and Journalism at Wilfrid Laurier University. Dr Carlo Coen is Course Director in the Department of Languages, Literature and Linguistics at York University, Toronto
Introduction; Chapter 1: Filmmaker and the Milanese independent cinema of
the 1980s and 1990s, Donatella Maraschin and Paola Nasini; Chapter 2: Light
and Liminal: Marinella Pirelli's Cinema, Matilde Nardelli; Chapter 3: From
Vertov to Cine-Journals: Cesare Zavattini's Experimental Journey, Carlo
Coen; Chapter 4: Gianfranco Brebbia. The 'Absurd', Expanded Quality of
Experimental Cinema (1962-1973), Donatella Valente; Chapter 5: Italian
Family Films: The Case of the Archivio Nazionale di Bologna, Laura
Ceccarelli; Chapter 6: Travelling the world. The essay films of Massimo
Bacigalupo (1968-1977), Donatella Valente; Chapter 7: Tales of Courage:
Trade Stories of Italian Independent Cinema, Edward Bowen; Chapter 8:
Independence as Opposition? Redefining Political Cinema through the Case of
Mirko Locatelli, Gloria Dagnino; Chapter 9: Niccolò Bruna's Ethical Process
as Social Engagement: Upholding Human Stories against a Backdrop of
Globalization, David H. Fleming and Filippo Gilardi; Chapter 10: The
Paradox of 'Independence' in Cyberspace: The Case of Italian Experimental
and Independent Cinema, Anthony Cristiano
the 1980s and 1990s, Donatella Maraschin and Paola Nasini; Chapter 2: Light
and Liminal: Marinella Pirelli's Cinema, Matilde Nardelli; Chapter 3: From
Vertov to Cine-Journals: Cesare Zavattini's Experimental Journey, Carlo
Coen; Chapter 4: Gianfranco Brebbia. The 'Absurd', Expanded Quality of
Experimental Cinema (1962-1973), Donatella Valente; Chapter 5: Italian
Family Films: The Case of the Archivio Nazionale di Bologna, Laura
Ceccarelli; Chapter 6: Travelling the world. The essay films of Massimo
Bacigalupo (1968-1977), Donatella Valente; Chapter 7: Tales of Courage:
Trade Stories of Italian Independent Cinema, Edward Bowen; Chapter 8:
Independence as Opposition? Redefining Political Cinema through the Case of
Mirko Locatelli, Gloria Dagnino; Chapter 9: Niccolò Bruna's Ethical Process
as Social Engagement: Upholding Human Stories against a Backdrop of
Globalization, David H. Fleming and Filippo Gilardi; Chapter 10: The
Paradox of 'Independence' in Cyberspace: The Case of Italian Experimental
and Independent Cinema, Anthony Cristiano
Introduction; Chapter 1: Filmmaker and the Milanese independent cinema of
the 1980s and 1990s, Donatella Maraschin and Paola Nasini; Chapter 2: Light
and Liminal: Marinella Pirelli's Cinema, Matilde Nardelli; Chapter 3: From
Vertov to Cine-Journals: Cesare Zavattini's Experimental Journey, Carlo
Coen; Chapter 4: Gianfranco Brebbia. The 'Absurd', Expanded Quality of
Experimental Cinema (1962-1973), Donatella Valente; Chapter 5: Italian
Family Films: The Case of the Archivio Nazionale di Bologna, Laura
Ceccarelli; Chapter 6: Travelling the world. The essay films of Massimo
Bacigalupo (1968-1977), Donatella Valente; Chapter 7: Tales of Courage:
Trade Stories of Italian Independent Cinema, Edward Bowen; Chapter 8:
Independence as Opposition? Redefining Political Cinema through the Case of
Mirko Locatelli, Gloria Dagnino; Chapter 9: Niccolò Bruna's Ethical Process
as Social Engagement: Upholding Human Stories against a Backdrop of
Globalization, David H. Fleming and Filippo Gilardi; Chapter 10: The
Paradox of 'Independence' in Cyberspace: The Case of Italian Experimental
and Independent Cinema, Anthony Cristiano
the 1980s and 1990s, Donatella Maraschin and Paola Nasini; Chapter 2: Light
and Liminal: Marinella Pirelli's Cinema, Matilde Nardelli; Chapter 3: From
Vertov to Cine-Journals: Cesare Zavattini's Experimental Journey, Carlo
Coen; Chapter 4: Gianfranco Brebbia. The 'Absurd', Expanded Quality of
Experimental Cinema (1962-1973), Donatella Valente; Chapter 5: Italian
Family Films: The Case of the Archivio Nazionale di Bologna, Laura
Ceccarelli; Chapter 6: Travelling the world. The essay films of Massimo
Bacigalupo (1968-1977), Donatella Valente; Chapter 7: Tales of Courage:
Trade Stories of Italian Independent Cinema, Edward Bowen; Chapter 8:
Independence as Opposition? Redefining Political Cinema through the Case of
Mirko Locatelli, Gloria Dagnino; Chapter 9: Niccolò Bruna's Ethical Process
as Social Engagement: Upholding Human Stories against a Backdrop of
Globalization, David H. Fleming and Filippo Gilardi; Chapter 10: The
Paradox of 'Independence' in Cyberspace: The Case of Italian Experimental
and Independent Cinema, Anthony Cristiano







