Giovanna Fossati, Annie Van Den Oever

Exposing the Film Apparatus

The Film Archive as a Research Laboratory
Herausgeber: Fossati, Giovanna; Oever, Annie

• Broschiertes Buch

Produktbeschreibung

Contributors with a wide range of expertise in the film and media world consider the practical and theoretical challenges posed by changing formats and technologies.

Produktdetails

• Verlag: Routledge
• Seitenzahl: 480
• Erscheinungstermin: 1. März 2016
• Englisch
• Abmessung: 234mm x 156mm x 26mm
• Gewicht: 723g
• ISBN-13: 9789462983168
• ISBN-10: 946298316X
• Artikelnr.: 46610065

Autorenporträt

Giovanna Fossati is the chief curator of Eye Filmmuseum and professor of Film Heritage and Digital Film Culture at the University of Amsterdam. Annie van den Oever is a Professor of Film at the University of Groningen and a Senior Research Associate at the University of Johannesburg (since March 2024). Recent books: >Doing Experimental Media Archaeology. Theory >(De Gruyter, 2022, with Andreas Fickers); and >Visual Media, Distortions, and the Grotesque as a Dominant Format Today>, forthcoming.

Inhaltsangabe

Introduction: Exposing the Film Apparatus Giovanna Fossati and Annie van
den Oever, Small and Portable Cinema in My Pocket Roger Odin Uncanny
Encounter: The iPhone and the Debrie Camera Martine Beugnet ,The Erasure of
Analog Film Projection Leenke Ripmeester, Ghosts of the Past: Frame Rates,
Cranking and Access to Early Cinema Marek Jancovic, Vitascope Movie-Maker:
A Ludic Historiography Guy Edmonds, Contextualizing the Apparatus: Film in
the Turn-of-the-Century Sears, Roebuck & Co. Consumers Guide's Department
of Special Public Entertainment Outfits and Supplies William Uricchio,
Widescreen Anamorphic Lens Steven Willemsen, The Introduction of
Ciné-Kodak: The Long-Awaited Answer Susan Aasman, The Orbit and Single Shot
Cinema Annelies van Noortwijk, The Video Compact Disc and the Digital
Preservation of Indonesian National Cinema History Ari Purnama, Bolex
Artists: Bolex Cameras, Amateurism, and the New York Film Avant-Garde
Barbara Turquier The Tripod or When Professionals Turn Amateur: A Plea for
an Amateur Film Archaeology, Alexandra Schneider Imagining the User of
Portapak: Countercultural Agency for Everyone! Tom Slootweg, Edison's Ideal
and the Visual Technics of the Sublime Gert Jan Harkema and Amanda du Preez
Medium and Not Easily Portable A Legal Alien: The 16mm Projector in the
Classroom, Eef Masson, The Analog Film Projector in Marijke van Warmerdam's
Digitized Film Installations, Julia Noordegraaf, The Illusion of Movement,
the Illusion of Color: The Kinemacolor Projector, Archaeology, and
Epistemology Benoît Turquety Stenciling Technologies and the Hybridized
Image in Early Cinema Joshua Yumibe Understanding Early Film Sound: The
Biophon Sound-on-Disc System Sonia Campanini Digital Frontiers: 2k to 4k
and Beyond Ian Christie Large and Not Portable Geyer Rekord Continuous
Contact Printer (c. 1935) Martin Koerber Jean-Luc Godard, the Video Editing
Table and HISTOIRE(S) DU CINÉMA as a Laboratory for an Art of Archives
Céline Scemama Famous Facials: How We Got Ready for the Close-Up Jan
Holmberg Digital Cinema, or: What Happens to the Dispositif? Frank Kessler
and Sabine Lenk, 3D Imaging Technology's Narrative Appropriation in Cinema
Miklós Kiss, Extending the Archival Life of Film: Presenting Film History
with EYE Film Institute Netherlands' Panorama Caylin Smith The Database of
Technical Devices: Describing, Cataloging, and Using Technical Devices in
the Museum's Collections Rommy Albers and Soeluh van den Berg, The
Invisible Cinema Julian Hanich A Tale of Two Times: Augmented Reality as
Archival Laboratory Nanna Verhoeff, Notes, General Bibliography, Notes on
Contributors, Index of Names, Index of Films.