An extraterrestrial crashes into a suburban cul-de-sac Colonial, absorbs every bit of binary information ever chronicled in all of human history, rearranges its molecules and presents itself as a couple of late and legendary film noir icons, then immediately displays an appetite for debauchery, depravity, decadence, and destruction, seducing the noir-obsessed family into its psychopathic criminal orbit with irresistible Hollywood panache, alluring sexual charisma, and inconceivable intergalactic powers ... all in the name of saving the family from their emotional, marital, and financial ruin.…mehr
An extraterrestrial crashes into a suburban cul-de-sac Colonial, absorbs every bit of binary information ever chronicled in all of human history, rearranges its molecules and presents itself as a couple of late and legendary film noir icons, then immediately displays an appetite for debauchery, depravity, decadence, and destruction, seducing the noir-obsessed family into its psychopathic criminal orbit with irresistible Hollywood panache, alluring sexual charisma, and inconceivable intergalactic powers ... all in the name of saving the family from their emotional, marital, and financial ruin. But super-genius daughter Mike Devine figures out fast that the extraterrestrial's principal plan is to employ its unfathomable interplanetary muscle and implode the planet. Which leaves the fate of her family, not to mention the world, in her twelve-year-old hands.
Rich Leder has been a working writer for more than three decades. His credits include eight novels for Laugh Riot Press and 19 produced movies-television films for CBS, Lifetime, and Hallmark and feature films for Lionsgate, Paramount Pictures, Tri-Star Pictures, Longridge Productions, and Left Bank Films. He's been the lead singer in a Detroit rock band, a restaurateur, a Little League coach, an indie film director, a literacy tutor, a magazine editor, a screenwriting coach, a wedding consultant (it's true), a PTA board member, a HOA president (also true, unfortunately), a commercial real estate agent, and a visiting artist for the UNCW Film Studies Department, all of which, it turns out, was grist for the mill.
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