By exploring the processes of collecting, which challenge the bounds of normally acceptable practice, this book debates the practice of collecting 'difficult' objects, from a historical and contemporary perspective; and discusses the acquisition of objects related to war and genocide, and those purchased from the internet... A comprehensive debate from a historical and contemporary perspective on the practice of collecting difficult objects Offers a new perspective on the acquirement of objects related to war and genocide Evaluates the limits of new strategies for the practice of collecting…mehr
By exploring the processes of collecting, which challenge the bounds of normally acceptable practice, this book debates the practice of collecting 'difficult' objects, from a historical and contemporary perspective; and discusses the acquisition of objects related to war and genocide, and those purchased from the internet...A comprehensive debate from a historical and contemporary perspective on the practice of collecting difficult objects Offers a new perspective on the acquirement of objects related to war and genocide Evaluates the limits of new strategies for the practice of collecting Details the move towards classifying priorities for collection policies in museums for acquiring difficult objects
Graeme Were is Chair of Anthropology at the University of Bristol. His current research focuses on material culture and ethnographic museums; digital heritage and source community engagement; and, ethnomathematics in the Pacific. His recent publications include Lines that Connect: Rethinking Pattern and Mind in the Pacific (University of Hawai'i Press, 2010), and Pacific Pattern, with S. Küchler (Thames & Hudson, 2005). He is a Fellow of the Royal Anthropological Institute and an editor of the Journal of Material Culture.
Inhaltsangabe
List of Figures Extreme Collecting: Dealing with Difficult Objects Graeme Were Part I: Dificult Objects Chapter 1. The Material Culture of Persecution: Collecting for the Holocaust Exhibition at the Imperial War Museum Suzanne Bardgett Chapter 2. Lyricism and Offence in Egyptian Archaeology Collections Stephen Quirke Chapter 3. Contested Human Remains Jack Lohman Chapter 4. Extreme or Commonplace: The Collecting of Unprovenanced Antiquities Kathryn Walker Tubb Chapter 5. Unfit for Society? The Case of the Galton Collection at University College London Natasha McEnroe Part II: Mass Produced Chapter 6. Knowing the New Susan Pearce Chapter 7. T he Global Scope of Extreme Collecting: Japanese Woodblock Prints on the Internet Richard Wilk Chapter 8. A wkward Objects: Collecting, Deploying and Debating Relics Jan Geisbusch Chapter 9. Great Expectations and Modest Transactions: Art, Commodity and Collecting Henrietta Lidchi Part III: Extreme Matters Chapter 10. Extremes of Collecting at the Imperial War Museum 1917-2009: Struggles with the Large and the Ephemeral Paul Cornish Chapter 11. Plastics - Why Not? A Perspective from the Museum of Design in Plastics Susan Lambert Chapter 12. T ime Capsules as Extreme Collecting Brian Durrans Chapter 13. Canning Cans - a Brand New Way of Looking at History Robert Opie in conversation with J.C.H. King Notes on Contributors Index
List of Figures Extreme Collecting: Dealing with Difficult Objects Graeme Were Part I: Dificult Objects Chapter 1. The Material Culture of Persecution: Collecting for the Holocaust Exhibition at the Imperial War Museum Suzanne Bardgett Chapter 2. Lyricism and Offence in Egyptian Archaeology Collections Stephen Quirke Chapter 3. Contested Human Remains Jack Lohman Chapter 4. Extreme or Commonplace: The Collecting of Unprovenanced Antiquities Kathryn Walker Tubb Chapter 5. Unfit for Society? The Case of the Galton Collection at University College London Natasha McEnroe Part II: Mass Produced Chapter 6. Knowing the New Susan Pearce Chapter 7. T he Global Scope of Extreme Collecting: Japanese Woodblock Prints on the Internet Richard Wilk Chapter 8. A wkward Objects: Collecting, Deploying and Debating Relics Jan Geisbusch Chapter 9. Great Expectations and Modest Transactions: Art, Commodity and Collecting Henrietta Lidchi Part III: Extreme Matters Chapter 10. Extremes of Collecting at the Imperial War Museum 1917-2009: Struggles with the Large and the Ephemeral Paul Cornish Chapter 11. Plastics - Why Not? A Perspective from the Museum of Design in Plastics Susan Lambert Chapter 12. T ime Capsules as Extreme Collecting Brian Durrans Chapter 13. Canning Cans - a Brand New Way of Looking at History Robert Opie in conversation with J.C.H. King Notes on Contributors Index
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