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Karen Rigby writes with "fingers cocked like a gun." Deliciously inventive in its linguistic unfurlings, Fabulosa fibrillates with "noir and glitz" in these strange, seductive poems that are in conversation with a range of players from Dior to Endeavour Morse to Hieronymus Bosch. Shimmering with diamond-cut precision, Fabulosa underscores Rigby's observation that "I never write / without measuring, each line / hooking a quicksilver hunger." There is no bloat in this book; it is exquisitely hewn. Underpinning the collection is a keen interest in cinema, fashion, feminism, transformation, and…mehr

Produktbeschreibung
Karen Rigby writes with "fingers cocked like a gun." Deliciously inventive in its linguistic unfurlings, Fabulosa fibrillates with "noir and glitz" in these strange, seductive poems that are in conversation with a range of players from Dior to Endeavour Morse to Hieronymus Bosch. Shimmering with diamond-cut precision, Fabulosa underscores Rigby's observation that "I never write / without measuring, each line / hooking a quicksilver hunger." There is no bloat in this book; it is exquisitely hewn. Underpinning the collection is a keen interest in cinema, fashion, feminism, transformation, and textuality (from ars poeticas to portmanteaus to ekphrastics). Seamed with goldshine and darkness, we find in these fireball poems a "wilderness / glanced through the bull's eye." As the title suggests, Fabulosa is indeed absolutely fabulous! -Simone Muench
Autorenporträt
Born in the Republic of Panama, Karen Rigby is the author of two collections of poetry, CHINOISERIE (Ahsahta Press, 2012) and FABULOSA (JackLeg, 2024). Her awards include the 2011 Sawtooth Poetry Prize for CHINOISERIE and a literature fellowship from the National Endowment for the Arts. Her poetry has been published in numerous journals, including POETRY NORTHWEST, THE LONDON MAGAZINE, and BENNINGTON REVIEW. She lives in Arizona. www.karenrigby.com