Fanaticism, or Mahomet the Prophet - Voltaire
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Voltaire's play Fanaticism, or Mahomet the Prophet was controversial in its own day, and has stirred up controversy in recent decades as attempts to mount stage productions have been met with protests. Originally intended as an oblique criticism of the Catholic Church and religious fanaticism in general (as Voltaire understood it), the play stands today as an entertaining melodrama marked by gleeful irreverance and historical imagination. This new prose translation into English by Hanna Burton brings the text to modern English-speaking audiences. The translator's extensive introduction sheds…mehr

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Produktbeschreibung
Voltaire's play Fanaticism, or Mahomet the Prophet was controversial in its own day, and has stirred up controversy in recent decades as attempts to mount stage productions have been met with protests. Originally intended as an oblique criticism of the Catholic Church and religious fanaticism in general (as Voltaire understood it), the play stands today as an entertaining melodrama marked by gleeful irreverance and historical imagination. This new prose translation into English by Hanna Burton brings the text to modern English-speaking audiences. The translator's extensive introduction sheds light on the history of the work and its reception by Voltaire's contemporaries. A preface by Malise Ruthven helps us to understand Voltaire's own relationship to Islam.
Autorenporträt
François-Marie Arouet (1694 - 1778), known by his nom de plume Voltaire, was a French Enlightenment writer, historian and philosopher famous for his wit, his attacks on the established Catholic Church and Christianity as a whole and his advocacy of freedom of religion, freedom of speech and separation of church and state. Voltaire was a versatile and prolific writer, producing works in almost every literary form, including plays, poems, novels, essays and historical and scientific works. He wrote more than 20,000 letters and more than 2,000 books and pamphlets. He was an outspoken advocate of civil liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma and the French institutions of his day.