Fate - Hogan, Marcus
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Set in France and Italy during the spiralling age of the early Renaissance, the CAPULET series is a passionate predecessor to the world's most famous love story, a genesis tale of how Romeo and Juliet's families came to be at each other's throats. In 1434 two innocent children, Armand and Ilaria are promised at birth. She is a merchant princess. He is the premiere son of a martial house. Despite the rising influence of passionate writers who advocate couples should now marry for love, no one expects this pair to grow to love each other. All expect them to marry and lead a warlike faction - the…mehr

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Produktbeschreibung
Set in France and Italy during the spiralling age of the early Renaissance, the CAPULET series is a passionate predecessor to the world's most famous love story, a genesis tale of how Romeo and Juliet's families came to be at each other's throats. In 1434 two innocent children, Armand and Ilaria are promised at birth. She is a merchant princess. He is the premiere son of a martial house. Despite the rising influence of passionate writers who advocate couples should now marry for love, no one expects this pair to grow to love each other. All expect them to marry and lead a warlike faction - the mighty French House of Capulet. And so, drawn together by fate and familial design, while France remains on a knife edge with their English enemies, they must learn to survive the glamorous but ruthless world of elite ambition, passion and power they're destined to navigate together. CAPULET is their sprawling tale, often humorous, elegant and heartfelt, sometimes gritty, brutal and relentless, while Ilaria's predilection to experience premonitions and cross the path of foresighted mystics, creates expectations that lead the couple on to heart-stopping moments and volatile outcomes. Book 1 - FATE begins in Lyon with the events that lead to the betrothal of Armand and Ilaria. The saga completes at the end of Book 6 - FOLLY on a day when the sweeping events of a bitter feud, ignited with another faction, cause the reins of power to be handed over to Armand's brother (Juliet's father). At that moment, Armand and Ilaria's son Thibault is ten years old and their daughter Rosaline just eight. Eight years later, two months before their cousin Juliet turns fourteen, Rosaline will meet Romeo before her younger cousin and the history of love will be altered forever. But CAPULET is also the story of how a third mighty faction, led by a fiery young Duchess, joins in their rivalry. The feminine powerbroker swears the loyalty of her house to one side but adds fresh powder to their rivalry that threatens to ignite in both directions at once. Their epic tale is told by Armand and Ilaria's longest serving employee, a sharp-tongued, roguish musician. Marcel Poquelin finds himself in their company by chance, as both begin their final training for adulthood. At first the wily entertainer has little time or respect for either one, considering Armand no more than an elite muscular oaf and Ilaria a pampered coquette. Nor is he responsible to either one directly, intent on his own plan to return from whence he came to Paris, far from their indolent company, and make a mark for himself. But you know what the ancients say? Men and women make their ambitious plans just so fate can play havoc with them.
Autorenporträt
I conceived this project in Boston during the summer of '92 while producing my first Shakespeare (Romeo & Juliet). It was staged at the Huntington Theatre Studio and sold out before we opened. That was when the notion of a prequel was born that would reveal how the famous families came to be at each other's throats, and how the associations between so many characters were first formed. The full story frame of Capulet (6 books) was written over 4 years writing 7 days a week 7 hours a day with just a few exceptions.For the trivial record, my first experience with Shakespeare was as a punishment in my last year of high school. I was given a detention for fighting (a bully was harassing a friend and though I'm no hero I intervened). The English Mistress who caught us made me memorise the 'quality of mercy' monologue from The Merchant of Venice. It had to be word perfect to avoid another stay. She told me it wasn't word perfect. But she said I was 'good' and would let me off if I agreed to audition for the play. I did. Somehow I managed to get the lead.That led me to a BA in Drama at the University of Queensland. UQ led me to a BFA in Acting at Cornish College in the USA. That led to specialised study at the National Shakespeare Conservatory in NY (closed after 9/11) and finally an MFA scholarship to study Directing at Boston University. Fast forward 25 years. I began this project in earnest during the last few months of the pandemic.I hope their tale moves you. I found it very moving to write.Marcus Hogan