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A contemplative exploration of cultural representations of Mexican American fathers in contemporary media.
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A contemplative exploration of cultural representations of Mexican American fathers in contemporary media.
Produktdetails
- Produktdetails
- Verlag: University of Texas Press
- Seitenzahl: 368
- Erscheinungstermin: 6. Dezember 2022
- Englisch
- Abmessung: 153mm x 229mm x 26mm
- Gewicht: 540g
- ISBN-13: 9781477326343
- ISBN-10: 1477326340
- Artikelnr.: 63515759
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University of Texas Press
- Seitenzahl: 368
- Erscheinungstermin: 6. Dezember 2022
- Englisch
- Abmessung: 153mm x 229mm x 26mm
- Gewicht: 540g
- ISBN-13: 9781477326343
- ISBN-10: 1477326340
- Artikelnr.: 63515759
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Domino Renee Perez is an associate professor in the department of English and the Center for Mexican American Studies at UT Austin. She is the author of There Was a Woman: La Llorona from Folklore to Popular Culture and coeditor of Race and Cultural Practice in Popular Culture.
1. Preface: The Slow Lowdown
2. Introduction: A Slow Approach to Fathers and Other Fictions
3. Part I. Sourcing Authority
* Film: Ancianos not Abuelos: Making Space and Mediating Male Power
* Personal Narrative: “No, I Am Your Father”
* Literature: Fathers and Racialized Masculinities in Luis Alberto
Urrea’s In Search of Snow
4. Part II. Instrumentalizing Indigeneity
* Personal Narrative: Nobody Ever Said We Were Aztecs
* Film: Fatherhood, Chicanismo, and the Cultural Politics of Healing in
La Mission
* Literature: New Tribalism and Chicana/o Indigeneity in the Work of
Gloria Anzaldúa
5. Part III. Fantasmas and Fronteras
* Literature: Fathers, Sons, and Other (Short) Fictions
* Film: Meta and Mutant Fathers
* Personal Narrative: Family Fictions and Other Lies about the Truth
6. Conclusion: Fathers and Futurity
7. Parting Shot
8. Acknowledgments
9. Notes
10. Works Cited and Consulted
11. Index
2. Introduction: A Slow Approach to Fathers and Other Fictions
3. Part I. Sourcing Authority
* Film: Ancianos not Abuelos: Making Space and Mediating Male Power
* Personal Narrative: “No, I Am Your Father”
* Literature: Fathers and Racialized Masculinities in Luis Alberto
Urrea’s In Search of Snow
4. Part II. Instrumentalizing Indigeneity
* Personal Narrative: Nobody Ever Said We Were Aztecs
* Film: Fatherhood, Chicanismo, and the Cultural Politics of Healing in
La Mission
* Literature: New Tribalism and Chicana/o Indigeneity in the Work of
Gloria Anzaldúa
5. Part III. Fantasmas and Fronteras
* Literature: Fathers, Sons, and Other (Short) Fictions
* Film: Meta and Mutant Fathers
* Personal Narrative: Family Fictions and Other Lies about the Truth
6. Conclusion: Fathers and Futurity
7. Parting Shot
8. Acknowledgments
9. Notes
10. Works Cited and Consulted
11. Index
1. Preface: The Slow Lowdown
2. Introduction: A Slow Approach to Fathers and Other Fictions
3. Part I. Sourcing Authority
* Film: Ancianos not Abuelos: Making Space and Mediating Male Power
* Personal Narrative: “No, I Am Your Father”
* Literature: Fathers and Racialized Masculinities in Luis Alberto
Urrea’s In Search of Snow
4. Part II. Instrumentalizing Indigeneity
* Personal Narrative: Nobody Ever Said We Were Aztecs
* Film: Fatherhood, Chicanismo, and the Cultural Politics of Healing in
La Mission
* Literature: New Tribalism and Chicana/o Indigeneity in the Work of
Gloria Anzaldúa
5. Part III. Fantasmas and Fronteras
* Literature: Fathers, Sons, and Other (Short) Fictions
* Film: Meta and Mutant Fathers
* Personal Narrative: Family Fictions and Other Lies about the Truth
6. Conclusion: Fathers and Futurity
7. Parting Shot
8. Acknowledgments
9. Notes
10. Works Cited and Consulted
11. Index
2. Introduction: A Slow Approach to Fathers and Other Fictions
3. Part I. Sourcing Authority
* Film: Ancianos not Abuelos: Making Space and Mediating Male Power
* Personal Narrative: “No, I Am Your Father”
* Literature: Fathers and Racialized Masculinities in Luis Alberto
Urrea’s In Search of Snow
4. Part II. Instrumentalizing Indigeneity
* Personal Narrative: Nobody Ever Said We Were Aztecs
* Film: Fatherhood, Chicanismo, and the Cultural Politics of Healing in
La Mission
* Literature: New Tribalism and Chicana/o Indigeneity in the Work of
Gloria Anzaldúa
5. Part III. Fantasmas and Fronteras
* Literature: Fathers, Sons, and Other (Short) Fictions
* Film: Meta and Mutant Fathers
* Personal Narrative: Family Fictions and Other Lies about the Truth
6. Conclusion: Fathers and Futurity
7. Parting Shot
8. Acknowledgments
9. Notes
10. Works Cited and Consulted
11. Index







