This book offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s.
This book offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s.
Qi Ai is a Lecturer in the School of Journalism and Communication at Shandong Normal University in China. He was a post-doctoral fellow at Shandong University and the visiting scholar at University of Nottingham Ningbo. He holds a Ph.D. in Film and Television Studies from the University of Nottingham in the United Kingdom.
Inhaltsangabe
Acknowledgements Introduction Chapter 1. Event Film and New Year Expectation Chapter 2. Industry Allegory and State-led Commercialisation Chapter 3. Film Regulation and Creative Compliance Chapter 4. Tiaokan Humour and Popular Culture Chapter 5. Auteur Status and Commercial Aesthetics Conclusion Bibliography Appendix Index
Acknowledgements Introduction Chapter 1. Event Film and New Year Expectation Chapter 2. Industry Allegory and State-led Commercialisation Chapter 3. Film Regulation and Creative Compliance Chapter 4. Tiaokan Humour and Popular Culture Chapter 5. Auteur Status and Commercial Aesthetics Conclusion Bibliography Appendix Index
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