Fifteen Lectures on Modern Furniture Design Methods takes an authoritative look at the representative works, methodologies, and legacies of some of the world’s most influential creatives in modern furniture design. Fifteen Lectures on Modern Furniture Design Methods takes an authoritative look at the representative works, methodologies, and expansive legacies of some of the world’s most influential creatives in modern furniture design. Richly illustrated with close to 400 full-color images, each of the essays profiles practitioners who have integrated an interdisciplinary mindset with…mehr
Fifteen Lectures on Modern Furniture Design Methods takes an authoritative look at the representative works, methodologies, and legacies of some of the world’s most influential creatives in modern furniture design. Fifteen Lectures on Modern Furniture Design Methods takes an authoritative look at the representative works, methodologies, and expansive legacies of some of the world’s most influential creatives in modern furniture design. Richly illustrated with close to 400 full-color images, each of the essays profiles practitioners who have integrated an interdisciplinary mindset with outstanding craftsmanship. The authors, both experts in the field of modern furniture design, technology, and innovation, present a comprehensive collection of works by thirty-two luminaries, such as Alvar Aalto, Jacques Bisson, Le Corbusier, Ray and Charles Eames, Shiro Kuramata, André Masson, Alessandro Mendini, Mies van der Rohe, Gerrit Rietveld, Eero Saarinen, Ettore Sottsass, Philippe Starck, Ilmari Tapiovaara, and many others.
Fang Hai, Ph.D. in Design from Aalto University (formerly the University of Art and Design Helsinki) in Finland. He is an expert scholar spanning the fields of architecture and design. He has been honored with Finland's "Cultural Achievement Award" and the Distinguished Alumni Award from Aalto University. He has worked in the studio of Finland's most prominent contemporary design master, Kukkapuro. With over 30 years of experience in comparative research on Chinese and Western design, he has published more than 20 academic monographs. An Shun graduated from the School of Art and Design, Guangdong University of Technology, and her main research direction is in furniture design and cultural studies.
Inhaltsangabe
Preface 1 Preface 2 Introduction: Principles, Inspirations, and Techniques of Modern Furniture Design Chapter 1: Rietveld: Modern Furniture Chapter 2: Breuer Mies, and Le Corbusier: Steel Pipes Furniture Chapter 3: Aalto, Mathsson, and Mollino: Plywood Furniture Chapter 4: Prouve: Metal Furniture Chapter 5: Jacobsen and Juhl: Art and Formal Beauty Chapter 6: Eames and Saarinen: The Experimental Revolution of Creative Masters Chapter 7: Nelson: Let the Modulus Determine Modern Office Furniture Chapter 8: Wegner, Tapiovaara, and Axelsson: From Tradition to Innovation Chapter 9: Panton, Paulin, and Mourgue: Geometry and Color Chapter 10: Sottsass, Mendini, and Shiro Kuramata: Fashion, Craftsmanship, and Creativity Chapter 11:Colombo and Aarnio: The Interweaving of All-round Inspiration and New Materials Chapter 12: Kukkapuro and Opsvik: Scientific Thinking Leads Design Creativity Chapter 13: Pesce and Starck: The Modeling Language of New Materials Chapter 14: From Arad to Newson: Sculpture and Furniture Chapter 15: From Morrison to Grcic: Pursuing the True Essence of Design in the New Era Bibliography Epilogue
Preface 1 Preface 2 Introduction: Principles, Inspirations, and Techniques of Modern Furniture Design Chapter 1: Rietveld: Modern Furniture Chapter 2: Breuer Mies, and Le Corbusier: Steel Pipes Furniture Chapter 3: Aalto, Mathsson, and Mollino: Plywood Furniture Chapter 4: Prouve: Metal Furniture Chapter 5: Jacobsen and Juhl: Art and Formal Beauty Chapter 6: Eames and Saarinen: The Experimental Revolution of Creative Masters Chapter 7: Nelson: Let the Modulus Determine Modern Office Furniture Chapter 8: Wegner, Tapiovaara, and Axelsson: From Tradition to Innovation Chapter 9: Panton, Paulin, and Mourgue: Geometry and Color Chapter 10: Sottsass, Mendini, and Shiro Kuramata: Fashion, Craftsmanship, and Creativity Chapter 11:Colombo and Aarnio: The Interweaving of All-round Inspiration and New Materials Chapter 12: Kukkapuro and Opsvik: Scientific Thinking Leads Design Creativity Chapter 13: Pesce and Starck: The Modeling Language of New Materials Chapter 14: From Arad to Newson: Sculpture and Furniture Chapter 15: From Morrison to Grcic: Pursuing the True Essence of Design in the New Era Bibliography Epilogue
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