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An examination of sculpture and authorship in eighteenth-century Quito that documents Caspicara as a participant in the innovative artistic production of the city's workshops and its widespread commerce of polychrome sculptures.

Produktbeschreibung
An examination of sculpture and authorship in eighteenth-century Quito that documents Caspicara as a participant in the innovative artistic production of the city's workshops and its widespread commerce of polychrome sculptures.
Autorenporträt
Susan Verdi Webster is the Mahoney Professor Emerita of Art History at the College of William & Mary. She is the author of Art and Ritual in Golden-Age Spain: Sevillian Confraternities and the Processional Sculpture of Holy Week.