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"The essay begins as an exploration of James's burgeoning obsession with Peter Sellers, and specifically his role in hijacking and derailing production of the spy spoof, Casino Royale, in the late 1960s. But what begins as a straight reported piece on how the film set erupted into chaos, quickly devolves into its own chaos as the essay splits into 5 different narrators, each with their own agenda of what the essay is actually about. Is it about how Peter Sellers and his oversize ego ruined Casino Royale? Is it about how society has too long allowed horrible men to run the world? Is it an…mehr

Produktbeschreibung
"The essay begins as an exploration of James's burgeoning obsession with Peter Sellers, and specifically his role in hijacking and derailing production of the spy spoof, Casino Royale, in the late 1960s. But what begins as a straight reported piece on how the film set erupted into chaos, quickly devolves into its own chaos as the essay splits into 5 different narrators, each with their own agenda of what the essay is actually about. Is it about how Peter Sellers and his oversize ego ruined Casino Royale? Is it about how society has too long allowed horrible men to run the world? Is it an exploration of the nature of the essay as a creative form? Or is Peter Sellers and his genius at impersonation actually a vehicle through which James probes her own shifting identity as a Mexican-American woman? The answer is...yes"--
Autorenporträt
ELIZABETH GONZALEZ JAMES is the author of the novels Mona at Sea and The Bullet Swallower. She is the Interviews Editor at The Rumpus. Originally from South Texas, she lives in Massachusetts with her family.