This book is a critical frame for a body of devised work that toured extensively nationally and internationally, The Ravel Trilogy. The three performances, Bolero (2014), Concerto (2016) and Solo (2018), set out to explore the dramaturgy of music and the musicality of drama. The playtexts are framed alongside reflective essays. 49 b&w illus.
This book is a critical frame for a body of devised work that toured extensively nationally and internationally, The Ravel Trilogy. The three performances, Bolero (2014), Concerto (2016) and Solo (2018), set out to explore the dramaturgy of music and the musicality of drama. The playtexts are framed alongside reflective essays. 49 b&w illus.
Michael Pinchbeck is a reader in theater at Manchester School of Art and senior research lead for the Department of Art & Performance at Manchester Metropolitan University, UK. Ollie Smith is a contemporary performance maker based in Nottingham, and a lecturer in drama and theater at the University of Lincoln, UK, specializing in collaborative devised theater and live art practices.
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