Single frame filmmaking has been around as long as film itself. It is the ancestor to modern day special effects and animation. Despite its age-old practice, single frame film making and stop-motion animation continues to influence media and culture with its magic.
Single frame filmmaking has been around as long as film itself. It is the ancestor to modern day special effects and animation. Despite its age-old practice, single frame film making and stop-motion animation continues to influence media and culture with its magic.
Tom Gasek is a Professor Emeritus at RIT where he taught in the School of Film and Animation for 19 years. He worked as a professional director and animator for 26 years previous to teaching with animation credits that include Aardman Animations' The Wrong Trousers and Chicken Run as well as Laika's Coraline. He operated several small studios of his own including the award winning, Sculptoons in San Francisco. Gasek is a Fulbright Specialist and wrote the only book on "non-puppet stop motion" for Focal Press. He just completed his third independent film called 4@60 , which includes "non-puppet" stop motion techniques.
Inhaltsangabe
Chapter 1: What are the Possibilities? Chapter 2: Shooting Frame by Frame Chapter 3: Pixilation Chapter 4: Time Lapse Chapter 5: Cinematography Lighting and Composition Chapter 6: Objects People & Places Chapter 7: The Multi-plane Downshooter Chapter 8: A Sense of Drama Chapter 9: Rhythm and Flow Chapter 10: Post-production Techniques Chapter 11: Massaging Frames in the Edit Chapter 12: Exposure to the Market
Chapter 1: What are the Possibilities? Chapter 2: Shooting Frame by Frame Chapter 3: Pixilation Chapter 4: Time Lapse Chapter 5: Cinematography Lighting and Composition Chapter 6: Objects People & Places Chapter 7: The Multi-plane Downshooter Chapter 8: A Sense of Drama Chapter 9: Rhythm and Flow Chapter 10: Post-production Techniques Chapter 11: Massaging Frames in the Edit Chapter 12: Exposure to the Market
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