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In a series of brilliant, nuanced readings of each of his films, she demonstrates how involuntary memories arising from Truffaut's childhood not only furnish a succession of motifs that are repeated from film to film, but govern every aspect of his mise en scène and cinematic technique.

Produktbeschreibung
In a series of brilliant, nuanced readings of each of his films, she demonstrates how involuntary memories arising from Truffaut's childhood not only furnish a succession of motifs that are repeated from film to film, but govern every aspect of his mise en scène and cinematic technique.
Autorenporträt
Anne Gillain is Professor Emerita at Wellesley College and is known for her work in French cinema, particularly the films of François Truffaut. She is author of Le Cinéma selon François Truffaut and The 400 Blows. Alistair Fox is Professor of English and Director of the Centre for Research on National Identity at the University of Otago. He is author of Jane Campion: Authorship and Personal Cinema (IUP, 2011).