Widely recognised as one of today's most important cultural critics, Adam Roberts offers an engaging introduction to this crucial figure, which will convince any student of contemporary theory that Jameson must be read.
Widely recognised as one of today's most important cultural critics, Adam Roberts offers an engaging introduction to this crucial figure, which will convince any student of contemporary theory that Jameson must be read.
Adam Roberts is Lecturer in English at Royal Holloway, University of London.
Inhaltsangabe
Contents. Why Jameson? Key Ideas. Chapter 1. Marxist Contexts. Chapter 2. Jameson's Marxism. Marxism and Form (1971), Late Marxism (1991) Chapter 3. Freud and Lacan: towards The Political Unconsciuos (1981) Chapter 4. The Political Unconsciuos (1981) Chapter 5. Modernism and Utopia. Fables of Agression (1979) Chapter 6. Postmodernism. Chapter 7. Cinema Signatures of the Visible (1990), The Geopolitical Aesthetic (1992) After Jameson.
Contents. Why Jameson? Key Ideas. Chapter 1. Marxist Contexts. Chapter 2. Jameson's Marxism. Marxism and Form (1971), Late Marxism (1991) Chapter 3. Freud and Lacan: towards The Political Unconsciuos (1981) Chapter 4. The Political Unconsciuos (1981) Chapter 5. Modernism and Utopia. Fables of Agression (1979) Chapter 6. Postmodernism. Chapter 7. Cinema Signatures of the Visible (1990), The Geopolitical Aesthetic (1992) After Jameson.
Contents. Why Jameson? Key Ideas. Chapter 1. Marxist Contexts. Chapter 2. Jameson's Marxism. Marxism and Form (1971), Late Marxism (1991) Chapter 3. Freud and Lacan: towards The Political Unconsciuos (1981) Chapter 4. The Political Unconsciuos (1981) Chapter 5. Modernism and Utopia. Fables of Agression (1979) Chapter 6. Postmodernism. Chapter 7. Cinema Signatures of the Visible (1990), The Geopolitical Aesthetic (1992) After Jameson.
Contents. Why Jameson? Key Ideas. Chapter 1. Marxist Contexts. Chapter 2. Jameson's Marxism. Marxism and Form (1971), Late Marxism (1991) Chapter 3. Freud and Lacan: towards The Political Unconsciuos (1981) Chapter 4. The Political Unconsciuos (1981) Chapter 5. Modernism and Utopia. Fables of Agression (1979) Chapter 6. Postmodernism. Chapter 7. Cinema Signatures of the Visible (1990), The Geopolitical Aesthetic (1992) After Jameson.
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