This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls â free indirect,â in which the novelâ s refusal of prevailing ideologies can be found.
This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls â free indirect,â in which the novelâ s refusal of prevailing ideologies can be found.
Acknowledgments List of Abbreviations Introduction. Unthinking Connections Part I. The Novel Form and Its Limits 1. The Problem of Form 2. Against Exemplarity: W. G. Sebald Part II. The Emergence of Postfictional Aesthetics 3. The Instantiation Relation 4. The Postfictional Hypothesis 5. The Logic of Disconnection Interlude. Fictional Discourse as Event: On Jesse Ball Part III. The Free Indirect 6. How Does Immanence Show Itself? 7. What Is a Sensorimotor Break? Deleuze on Cinema Interlude. Profiling 8. Rancière: Toward Nonregime Thinking Conclusion. The Indeterminate Thought of the Free Indirect Notes Index
Acknowledgments List of Abbreviations Introduction. Unthinking Connections Part I. The Novel Form and Its Limits 1. The Problem of Form 2. Against Exemplarity: W. G. Sebald Part II. The Emergence of Postfictional Aesthetics 3. The Instantiation Relation 4. The Postfictional Hypothesis 5. The Logic of Disconnection Interlude. Fictional Discourse as Event: On Jesse Ball Part III. The Free Indirect 6. How Does Immanence Show Itself? 7. What Is a Sensorimotor Break? Deleuze on Cinema Interlude. Profiling 8. Rancière: Toward Nonregime Thinking Conclusion. The Indeterminate Thought of the Free Indirect Notes Index
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