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This work constitutes an approach to the literature-cinematography relationship, which establishes a sort of "love-hate" link between both artistic branches throughout their history. The approach of this study, based on the universality of the story (a category to which both the novel and the cinema belong), allows us to analyze the analogies, convergences and divergences between the literary and the filmic narrator in the work of a prolific writer - Bioy Casares - whose written work has usually been a target of film adaptations, as is the case with "El sueño de los héroes", the work chosen for this study.…mehr

Produktbeschreibung
This work constitutes an approach to the literature-cinematography relationship, which establishes a sort of "love-hate" link between both artistic branches throughout their history. The approach of this study, based on the universality of the story (a category to which both the novel and the cinema belong), allows us to analyze the analogies, convergences and divergences between the literary and the filmic narrator in the work of a prolific writer - Bioy Casares - whose written work has usually been a target of film adaptations, as is the case with "El sueño de los héroes", the work chosen for this study.
Autorenporträt
Christian Rodrigo Martínez Bastidas. Quito, Ecuador, 1994. Er studierte an der Universidad Central del Ecuador und erwarb einen Abschluss in Sprach- und Literaturwissenschaften. Seine Arbeit wurde bisher nicht veröffentlicht, mit Ausnahme einer internen linguistischen Untersuchung für die Sprachabteilung der UCE.