From Modernism to Postmodernism

Between Universal and Local
Herausgegeben:Pompe, Gregor; Bogunovic Hocevar, Katarina; Sukljan, Nejc

• Gebundenes Buch

Produktbeschreibung

The book explores two radical changes of cultural and social paradigm that determined the World after 1945 - Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar «universality» was also a characteristic of musical serialism.

From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism - postmodernism - began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications.

Produktdetails

• Verlag: Peter Lang
• Artikelnr. des Verlages: 267144
• Seitenzahl: 402
• Erscheinungstermin: 10. August 2016
• Englisch
• Abmessung: 216mm x 153mm x 27mm
• Gewicht: 610g
• ISBN-13: 9783631671443
• ISBN-10: 363167144X
• Artikelnr.: 45592681

Autorenporträt

Katarina Bogunovi¿c Hoc¿evar works as an Assistant Professor at the Department of Musicology at the Faculty of Arts, University of Ljubljana. Her research interests include the history of 19th and first half of 20th century music, the history of Slovene music and the aesthetics of music.Gregor Pompe studied comparative literature, German language and musicology at the Faculty of Arts, University of Ljubljana. He works as an Associate Professor at the Department of Musicology at the Faculty of Arts in Ljubljana. His scientific interest focuses on the problem of musical semantics, the history of opera and contemporary music.Nejc Sukljan studied musicology and general history at the Faculty of Arts, University of Ljubljana. He works as an Assistant at the Department of Musicology at the Faculty of Arts, University of Ljubljana.

Inhaltsangabe

Preface ............................................................................................................................9

Theoretical Basis



Gregor Pompe



Postmodernism in Society and Art: An Overview ................................................17



Helmut Loos



Modernity - Postmodernity. Controversial Core Structures

of Musical Thinking ...................................................................................................33



Petra Ceferin



The Creative Practice (of Architecture): Insisting on the In-Between ................43



Niksa Gligo



Globalization and/or Pluralism: But What about Musics, Their Styles,

Techniques and Musicology? ....................................................................................55

From Modernism ...



Grazina Daunoravicien



Mikalojus Konstantinas Ciurlionis' (1875-911) Musical Works as

an Example of European Modernism in its Early Stages ......................................71



Manuel Farolfi



Modernism at Work in Pierre Boulez's Writings, 1948-952 ........................... 107



Hei Yeung John Lai



Rethinking Form: A Structural Analysis of Constellation-Miroir,

Formant 3 of Boulez's Third Piano Sonata ........................................................... 127



Ka-man Choi



Textual Permutation in Mauricio Kagel's Anagrama (1957-958):

New Modes of Serial Thought ............................................................................... 153

6 Contents



Cristina Scuderi



Contemporary Opera and Musical Theatre on Italian Stages Between the

Second Postwar Period and the End of the 1960s: Notes for an Overview ..... 165

...to Postmodernism



Juija Jonae



From Modernism to Postmodernism: The Modulation and

Correlation between Two Styles in the Context of

Musical Works by Sacred Minimalists .................................................................. 177



Moeko Hayashi



Modernism, Postmodernism and Globalism: Takemitsu, November Steps ..... 193



Gregor Pompe



Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and

Leonard Bernstein's Mass: European and American postmodernism, or

pluralism vs. eclecticism ......................................................................................... 207



Jana Majerova



Musical Quotation as a Fundamental Way for Expressing a

Message in the Work of Alfred Schnittke ............................................................. 231



Simone Heilgendorff



Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn

after the Year 2000 in a Comparative Perspective: European or

National Forums for Contemporary Art Music and Culture? .......................... 253



Alessandro Miani



A Language-Based Approach to Music and Intertextuality ............................... 267



Milena Bozhikova



Contemporary Music between History and Eschatology .................................. 279

Postmodernism in Eastern Europe



Jais Kudi sP eris Vasks as Neo-Romantic: Characteristic Style Signs of

Latvian Composer Symphonic Music in the Context of Postmodern

Culture and Art ........................................................................................................ 303



Kamil Rupeikait



The Semantics of the Music of Anatolijus Senderovas ....................................... 327



Joanna Schiller-Rydzewska



Different Faces of Postmodernism in the Works of Contemporary

Composers of the Gdansk Milieu ......................................................................... 337



Tatiana Pirnikova



The Way from Modernist Positions to the Intimate Lyrical Position

of the Composer Oto Ferenczy .............................................................................. 353



Niall O'Loughlin



Lojze Lebic: Modernism and the Vernacular ...................................................... 361



Ira Prodanov Krajisnik



Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness ........... 377