From Stage to Studio: Performances versus Recordings in Classical Music presents a cultural study of classical music-making through the analysis of live and studio performances of orchestral and operatic repertoire conducted by Sir Charles Mackerras.
From Stage to Studio: Performances versus Recordings in Classical Music presents a cultural study of classical music-making through the analysis of live and studio performances of orchestral and operatic repertoire conducted by Sir Charles Mackerras.
Amy Blier-Carruthers is Doctoral Programme Leader at the Guildhall School of Music and Drama, Lecturer in Music Performance (Education) at King's College London, and Research Fellow at the Royal Academy of Music.
Inhaltsangabe
List of figures Acknowledgements CHAPTER 1 From stage to studio CHAPTER 2 Live performance versus studio recording CHAPTER 3 In the studio CHAPTER 4 On the stage CHAPTER 5 Variable performance traits CHAPTER 6 Educational applications - Learning to perform in the studio CHAPTER 7 Final edit - Towards an aesthetic emancipation and some ways forward Appendices Bibliography
List of figures Acknowledgements CHAPTER 1 From stage to studio CHAPTER 2 Live performance versus studio recording CHAPTER 3 In the studio CHAPTER 4 On the stage CHAPTER 5 Variable performance traits CHAPTER 6 Educational applications - Learning to perform in the studio CHAPTER 7 Final edit - Towards an aesthetic emancipation and some ways forward Appendices Bibliography
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