The repertoire files of the late Dr. Barbara Doscher, in which she noted her tips, observations on each particular piece, and notes on how to best teach it, comprise a unique trove of wisdom unmatched by any other source. Laboriously transcribed and annotated by John Nix, one of Doscher's students, the notes are presented here as a companion volume to her best-selling text, The Functional Unity of the Singing Voice.
The repertoire files of the late Dr. Barbara Doscher, in which she noted her tips, observations on each particular piece, and notes on how to best teach it, comprise a unique trove of wisdom unmatched by any other source. Laboriously transcribed and annotated by John Nix, one of Doscher's students, the notes are presented here as a companion volume to her best-selling text, The Functional Unity of the Singing Voice.
Barbara M. Doscher (1922-1996) (DMA) was Professor of Music, University of Colorado, Boulder, where she was department chairperson and taught studio voice and vocal pedagogy. Her students are singing professionally throughout Europe, Canada, and the U.S. and have held apprenticeships at well-known opera companies. One of her students was the only American winner of the prestigious Mozart Concours Internationale de Chant. Another was a 1992 Pavarotti Competition winner. Doscher has presented master classes at colleges and universities and has been featured at several national conventions of NATS. Her articles have appeared in several journals. Her books include TheFunctional Unity of the Singing Voice and From Studio to Stage: Repertoire for the Voice.
Inhaltsangabe
Chapter 1 Art Song in English Chapter 2 Folk Songs and Spirituals Chapter 3 Art Song in Italian Chapter 4 Lieder Chapter 5 Mélodie Chapter 6 Musical Theater Selections Chapter 7 Operatic Selections Chapter 8 Oratorios, Cantatas and Masses Chapter 9 Recital Groups Chapter 10 Russian Art Songs Chapter 11 Spanish Art Songs Chapter 12 Voice with Orchestra and Solo Cantatas
Chapter 1 Art Song in English Chapter 2 Folk Songs and Spirituals Chapter 3 Art Song in Italian Chapter 4 Lieder Chapter 5 Mélodie Chapter 6 Musical Theater Selections Chapter 7 Operatic Selections Chapter 8 Oratorios, Cantatas and Masses Chapter 9 Recital Groups Chapter 10 Russian Art Songs Chapter 11 Spanish Art Songs Chapter 12 Voice with Orchestra and Solo Cantatas
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