FROM TRICK TO IMMERSION: The use of 3D in Dial M to Kill and Gravity - Durand, Priscilla
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This paper covers the history of stereoscopic 3D cinema in its technical, aesthetic and technological aspects. From the construction of this context, and through a time frame, we sought to understand what has changed in the mise-en-scène of stereoscopic 3D films from the 1950s to the present day. We assumed that the use of 3D has indeed changed a lot. For this study, we selected two stereoscopic films, one representative of each historical period chosen: Dial M to Kill (1953) and Gravity (2013). Through a detailed analysis, we sought to point out the main uses of mise-en-scène in each film, as…mehr

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Produktbeschreibung
This paper covers the history of stereoscopic 3D cinema in its technical, aesthetic and technological aspects. From the construction of this context, and through a time frame, we sought to understand what has changed in the mise-en-scène of stereoscopic 3D films from the 1950s to the present day. We assumed that the use of 3D has indeed changed a lot. For this study, we selected two stereoscopic films, one representative of each historical period chosen: Dial M to Kill (1953) and Gravity (2013). Through a detailed analysis, we sought to point out the main uses of mise-en-scène in each film, as well as to thoroughly investigate significant patterns of continuity and stylistic change - that is, to understand how the filmmakers employed, and still employ, stereoscopic techniques within cinematic staging.
Autorenporträt
Priscilla Durand est titulaire d'un diplôme en communication sociale de l'université fédérale de Paraíba, d'un master en communication dans la ligne Esthétique et cultures de l'image et du son de l'université fédérale de Pernambuco et d'une mobilité étudiante pour GENE (Group of Emerging Narratives), du programme Image et son de l'université fédérale de São Carlos.