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Underpinning the emotional territory of Game is the shared experience-mine and Ludwig Wittgenstein's-of losing brothers to suicide; hence every poem is an act of survivor's guilt, of speech against the abyss of unspeakable silence. The poems skirt the catastrophe of language in call-and-response interplay between poems and Wittgenstein's Philosophical Investigations, set in diverse spaces-rooms, dining tables, thresholds, picture frames, deserts, swamps and creeks, urban streets, seashores, a spider's web, cafes, playgrounds, a backyard, porches in the rain-all places where the multiform gods dwell, love, play, ignore, and destroy.…mehr

Produktbeschreibung
Underpinning the emotional territory of Game is the shared experience-mine and Ludwig Wittgenstein's-of losing brothers to suicide; hence every poem is an act of survivor's guilt, of speech against the abyss of unspeakable silence. The poems skirt the catastrophe of language in call-and-response interplay between poems and Wittgenstein's Philosophical Investigations, set in diverse spaces-rooms, dining tables, thresholds, picture frames, deserts, swamps and creeks, urban streets, seashores, a spider's web, cafes, playgrounds, a backyard, porches in the rain-all places where the multiform gods dwell, love, play, ignore, and destroy.
Autorenporträt
M. L. Williams is author of the chapbook Other Medicines and co-editor of How Much Earth: The Fresno Poets, and he served as editor or co-editor of Quarterly West for five years. His work is in many journals and anthologies, including Plume, Hubbub, Salt, Western Humanities Review, Miramar, The Journal of Florida Studies, The Cortland Review, Live Encounters Poetry, and Stone, River, Sky, and has been nominated for several Pushcart Prizes. He co-emcees the Poetry Stage at the Los Angeles Times Festival of Books, and he teaches creative writing and contemporary literature at Valdosta State University.