Relying on a range of visual and written sources, Gender, Space, and the Gaze offers fresh ways of considering how masculinity and femininity were lived in late nineteenth-century Paris. The book moves beyond shopworn dichotomies, rooted in Baudelaire's "The Painter of Modern Life" (1863), that have shaped scholarship on this period.
Relying on a range of visual and written sources, Gender, Space, and the Gaze offers fresh ways of considering how masculinity and femininity were lived in late nineteenth-century Paris. The book moves beyond shopworn dichotomies, rooted in Baudelaire's "The Painter of Modern Life" (1863), that have shaped scholarship on this period.
Temma Balducci is an Associate Professor of Art History at Arkansas State University. She was co-editor of and contributor to the companion volumes Interior Portraiture and Masculine Identity in France, 1789-1914 and Women, Femininity, and Public Space in Nineteenth-Century European Visual Culture.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction Chapter 1: Making up the Boulevard Chapter 2: Gazing Women Chapter 3: Windows and Balconies Chapter 4: Men, Domesticity, and Family Conclusion Selected Bibliography Index
List of Illustrations Acknowledgments Introduction Chapter 1: Making up the Boulevard Chapter 2: Gazing Women Chapter 3: Windows and Balconies Chapter 4: Men, Domesticity, and Family Conclusion Selected Bibliography Index
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