Who were the hip, young maverick filmmakers who were allowed entry into Hollywood (many via indie films) in the mid- to late-1990s following the emergence of Quentin Tarantino?
Who were the hip, young maverick filmmakers who were allowed entry into Hollywood (many via indie films) in the mid- to late-1990s following the emergence of Quentin Tarantino?
Andrew J. Rausch is a film journalist, celebrity interviewer, and the author of many books about cinema and popular culture. Representative titles include Turning Points in Film History (Citadel/Kensington, 2004), Fifty Filmmakers: Conversations with Directors from Roger Avary to Steven Zaillian (McFarland, 2008), The Films of Martin Scorsese and Robert De Niro (Scarecrow Press, 2010), Making Movies with Orson Welles: A Memoir (w/ Gary Graver, Scarecrow Press, 2011), The Cinematic Misadventures of Ed Wood (w/ Charles Pratt, Bear Manor, 2015), and My Best Friend's Birthday: The Making of a Quentin Tarantino Film (Bear Manor Media, 2019). Rausch is also an editor at Diabolique, a regular contributor to Shock Cinema, and writes a column for Screem.
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