An innovative cultural analysis of female workers in Spanish literature and films from the late nineteenth century to the first three quarters of the twentieth century.
An innovative cultural analysis of female workers in Spanish literature and films from the late nineteenth century to the first three quarters of the twentieth century.
Mar Soria is an assistant professor of Spanish at the University of Missouri.
Inhaltsangabe
Acknowledgments Introduction: Dismantling the Myth of Female Domesticity 1. The Castiza Working Woman: Regeneracionismo in Género Chico 2. Homebound Workers: The Reconfiguration of Bourgeois Domestic Space in Realism 3. Commodifying the Nation: The Store and the Shopgirl in Avant-Garde Literature 4. Working for Change during the Second Republic: A New Woman for the Nation in Conservative and Left-Wing Literature 5. Back Home? Counterdiscourses of Female Labor and Nationhood in Postwar Women’s Short Fiction 6. Spanish Women Are Different: Cinematic Anxieties of Female Work in Late Francoism 000 Epilogue: The Story Is Not Over Notes References Index
Acknowledgments Introduction: Dismantling the Myth of Female Domesticity 1. The Castiza Working Woman: Regeneracionismo in Género Chico 2. Homebound Workers: The Reconfiguration of Bourgeois Domestic Space in Realism 3. Commodifying the Nation: The Store and the Shopgirl in Avant-Garde Literature 4. Working for Change during the Second Republic: A New Woman for the Nation in Conservative and Left-Wing Literature 5. Back Home? Counterdiscourses of Female Labor and Nationhood in Postwar Women’s Short Fiction 6. Spanish Women Are Different: Cinematic Anxieties of Female Work in Late Francoism 000 Epilogue: The Story Is Not Over Notes References Index
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