The first full-length study to fully situate Herbert's verse in the early modern culture from which it emerged, this interdisciplinary book argues for an innovative 'musical' mode of reading lyric that will prove illuminating for students and scholars working in early modern literary studies and in seventeenth-century music and theology.
The first full-length study to fully situate Herbert's verse in the early modern culture from which it emerged, this interdisciplinary book argues for an innovative 'musical' mode of reading lyric that will prove illuminating for students and scholars working in early modern literary studies and in seventeenth-century music and theology.
Simon Jackson is Director of Music at Peterhouse and Little St Mary's Church, Cambridge, and a former Leverhulme Early Career Fellow at the University of Warwick. His work focuses primarily on seventeenth-century musico-poetics, and has won the George Herbert Society Chauncey Wood Award (2013) and an English Literary Renaissance Award (2015).
Inhaltsangabe
1. Measuring Well: Ethics and Incarnational Music 2. Communities of voices: Song culture at Wilton House 3. The visual music of the masque 4. Concord and consent: The music of Lord Herbert of Cherbury 5. Double motion: Attending to church music 6. Singing the Psalms.
1. Measuring Well: Ethics and Incarnational Music 2. Communities of voices: Song culture at Wilton House 3. The visual music of the masque 4. Concord and consent: The music of Lord Herbert of Cherbury 5. Double motion: Attending to church music 6. Singing the Psalms.
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