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Uncovers Gerhard Richterâ s appropriation of science and technology from 1960 to the present and shows how this has shaped the artistâ s well-documented engagement with the canon of Western painting.

Produktbeschreibung
Uncovers Gerhard Richterâ s appropriation of science and technology from 1960 to the present and shows how this has shaped the artistâ s well-documented engagement with the canon of Western painting.
Autorenporträt
Aline Guillermet teaches History of Art and Visual Culture at the Institute of Continuing Education, University of Cambridge and is a former Fellow of King's College, Cambridge. Her research focuses on the impact of science and technology on artistic practices since the 1960s. She is the author of several journal articles including in Representations, Media Theory and Art History.