First edited volume in English on its topic. Brings together scholars from US, UK and Germany. Combines historical with theoretical perspectives, history of technology with program content and economics, auteur directors and popular mainstream TV series.
First edited volume in English on its topic. Brings together scholars from US, UK and Germany. Combines historical with theoretical perspectives, history of technology with program content and economics, auteur directors and popular mainstream TV series.
Larson Powell is Professor of German and Film Studies at the University of Missouri - Kansas City. His publications include the books The Technological Unconscious in Modern German Literature (2008) and a volume on post-1945 electronic media arts, The Differentiation of Modernism (2013).
Inhaltsangabe
List of Figures Introduction Larson Powell and Robert Shandley PART I: TECHNICAL PREHISTORY AND THEORETICAL APPROACHES Chapter 1. Contingencies and Ruptures in the Technological History of Television Wolfgang Hagen Chapter 2. Boredom, War and Paradox: German Theories of Television Larson Powell PART II: GDR TELEVISION Chapter 3. 'Just Like in the West, Except Different:' Television and its Relationship to Film in the Context of 1950s GDR Development Thomas Beutelschmidt Chapter 4. Adventures in Stagnation: Gottfried Kolditz's Unfilmed Project Zimtpiraten Evan Torner PART III: TELEVISION IN THE FEDERAL REPUBLIC: AUTEURIST TV Chapter 5. "A challenge, maybe the greatest for a filmmaker": Televisual Perspectives on Rainer Werner Fassbinder's Martha (1974) Brad Prager Chapter 6. Nah am Fern: Kluge TV Stefanie Harris PART IV: PRESENT AND FUTURE PERSPECTIVES Chapter 7. Television History in Germany: Media-Political and Media-Ethical Aspects Rüdiger Steinmetz Chapter 8. Germany as TV Show Import Market Lothar Mikos Chapter 9. Heritage, Heimat, and German Historical 'Event Television': Nico Hofmann's teamWorx Paul Cooke Chapter 10. Once Upon a Crime: Tatort, Germany's Longest Running Police Procedural Bärbel Göbel-Stolz Bibliography
List of Figures Introduction Larson Powell and Robert Shandley PART I: TECHNICAL PREHISTORY AND THEORETICAL APPROACHES Chapter 1. Contingencies and Ruptures in the Technological History of Television Wolfgang Hagen Chapter 2. Boredom, War and Paradox: German Theories of Television Larson Powell PART II: GDR TELEVISION Chapter 3. 'Just Like in the West, Except Different:' Television and its Relationship to Film in the Context of 1950s GDR Development Thomas Beutelschmidt Chapter 4. Adventures in Stagnation: Gottfried Kolditz's Unfilmed Project Zimtpiraten Evan Torner PART III: TELEVISION IN THE FEDERAL REPUBLIC: AUTEURIST TV Chapter 5. "A challenge, maybe the greatest for a filmmaker": Televisual Perspectives on Rainer Werner Fassbinder's Martha (1974) Brad Prager Chapter 6. Nah am Fern: Kluge TV Stefanie Harris PART IV: PRESENT AND FUTURE PERSPECTIVES Chapter 7. Television History in Germany: Media-Political and Media-Ethical Aspects Rüdiger Steinmetz Chapter 8. Germany as TV Show Import Market Lothar Mikos Chapter 9. Heritage, Heimat, and German Historical 'Event Television': Nico Hofmann's teamWorx Paul Cooke Chapter 10. Once Upon a Crime: Tatort, Germany's Longest Running Police Procedural Bärbel Göbel-Stolz Bibliography
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